The Poetical Works of Alexander Pope, Volume 2Pope, Alexander
General
The Poetical Works of Alexander Pope, Volume 2
Pope, Alexander
English poetry -- 18th century
Durgen: A Plain Satire on a Pompous Satirist. By Edward Ward, with a
little of James Moore.
Apollo's Maggot in his Cups. By E. Ward.
Gulliveriana Secunda. Being a Collection of many of the Libels in the
Newspapers, like the former Volume, under the same title, by Smedley.
Advertised in the Craftsman, Nov. 9, 1728, with this remarkable promise,
that '_any thing_ which _any body_ should send as Mr Pope's or Dr
Swift's should be inserted and published as theirs.'
Pope Alexander's Supremacy and Infallibility Examined, &c. By George
Ducket and John Dennis. Quarto.
Dean Jonathan's Paraphrase on the Fourth Chapter of Genesis. Writ by E.
Roome. Folio. 1729.
Labeo. A Paper of Verses by Leonard Welsted, which after came into _One
Epistle_, and was published by James Moore, quarto, 1730. Another part
of it came out in Welsted's own name, under the just title of Dulness
and Scandal, folio, 1731.
There have been since published--
Verses on the Imitator of Horace. By a Lady (or between a Lady, a Lord,
and a Court-squire). Printed for J. Roberts. Folio.
An Epistle from a Nobleman to a Doctor of Divinity, from Hampton Court
(Lord H---y). Printed for J. Roberts. Folio.
A Letter from Mr Cibber to Mr Pope. Printed for W. Lewis in Covent
Garden. Octavo.
III.--ADVERTISEMENT TO THE FIRST EDITION--WITH NOTES,
IN QUARTO, 1729.
It will be sufficient to say of this edition, that the reader has here a
much more correct and complete copy of the Dunciad than has hitherto
appeared. I cannot answer but some mistakes may have slipped into it,
but a vast number of others will be prevented by the names being now not
only set at length, but justified by the authorities and reasons given.
I make no doubt the author's own motive to use real rather than feigned
names, was his care to preserve the innocent from any false application;
whereas, in the former editions, which had no more than the initial
letters, he was made, by Keys printed here, to hurt the inoffensive, and
(what was worse) to abuse his friends, by an impression at Dublin.
The commentary which attends this poem was sent me from several hands,
and consequently must be unequally written; yet will have one advantage
over most commentaries, that it is not made upon conjectures, or at a
remote distance of time: and the reader cannot but derive one pleasure
from the very obscurity of the persons it treats of, that it partakes of
the nature of a secret, which most people love to be let into, though
the men or the things be ever so inconsiderable or trivial.
Of the persons it was judged proper to give some account; for since it
is only in this monument that they must expect to survive (and here
survive they will, as long as the English tongue shall remain such as it
was in the reigns of Queen Anne and King George), it seemed but humanity
to bestow a word or two upon each, just to tell what he was, what he
writ, when he lived, and when he died.
Public-domain text, read in full here on John Shaqi.
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