The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory NotesBeattie, James
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The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory Notes
Beattie, James
English poetry
Though danger's hostile train appears
To thwart the course that honour steers;
Unmoved he leads the rugged way,
Despising peril and dismay.
His country calls; to guard her laws,
Lo! every joy the gallant youth resigns;
The avenging naval sword he draws,
And o'er the waves conducts her martial lines:
Hark! his sprightly clarions play;
Follow where he leads the way! 40
The piercing fife, the sounding drum,
Tell the deeps their master's come.
CHORUS. Hark! his sprightly clarions play,
Follow where he leads the way!
The piercing fife, the sounding drum,
Tell the deeps their master's come.
Thus Alcmena's warlike son
The thorny course of virtue run,
When, taught by her unerring voice,
He made the glorious choice: 50
Severe, indeed, the attempt he knew,
Youth's genial ardours to subdue:
For pleasure, Venus' lovely form assumed;
Her glowing charms, divinely bright,
In all the pride of beauty bloom'd,
And struck his ravish'd sight.
Transfix'd, amazed,
Alcides gazed:
Enchanting grace
Adorn'd her face, 60
And all his changing looks confess'd
The alternate passions in his breast:
Her swelling bosom half reveal'd,
Her eyes that kindling raptures fired,
A thousand tender pains instill'd,
A thousand flattering thoughts inspired:
Persuasion's sweetest language hung
In melting accent on her tongue:
Deep in his heart the winning tale
Infused a magic power; 70
She press'd him to the rosy vale,
And show'd the Elysian bower:
Her hand that trembling ardours move,
Conducts him blushing to the blest alcove:
Ah! see, o'erpower'd by beauty's charms,
And won by love's resistless arms,
The captive yields to nature's soft alarms!
CHORUS. Ah! see, o'erpower'd by beauty's charms,
And won by love's resistless arms,
The captive yields to nature's soft alarms! 80
Public-domain text, read in full here on John Shaqi.
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