The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory NotesBeattie, James
General
The Poetical Works of Beattie, Blair, and Falconer: With Lives, Critical Dissertations, and Explanatory Notes
Beattie, James
English poetry
on the brink of the mountain stream, singing its wild way through the
woods,--now in the centre of rich orchards and fertile fields,--now on
sunny braes, overlooking the whole parish, prostrate in its loveliness
at their feet,--and now surrounded and shadowed by broad old oaks and
tall black pine-trees? And so, accordingly, it has been, although not
perhaps to the extent we might have wished or expected. Philosophy of
the deepest order has been studied--inquiries the most profound and
extensive into natural science and history have been prosecuted; and
painting, music, and poetry, have found enthusiastic and gifted
votaries, who, at the same time, have not neglected their higher
vocation,--in the quiet manses of our country; and we rejoice to know
that this state of things continues, and is not confined to the
Established Church, but may be asserted with equal or greater force to
exist in others.
At Athelstaneford, Blair seems to have realised this ideal of a country
minister. He was attentive to his pastoral duties, and the correspondent
of Doddridge and the author of "The Grave," could not fail to be an
evangelical, a practical, and a powerful preacher. He at the same time
diligently prosecuted his favourite studies, which were botany, natural
history, and poetry. Possessing a considerable fortune, he lived on a
footing of equality and friendship with the gentry of the neighbourhood,
and others of similar rank in distant parts of Scotland. Sir Francis
Kinloch of Gilmerton and John Gallander of Craigforth are mentioned as
two of his intimates. We are tempted to figure the author of "The Grave"
as a morose and melancholy 'solitaire'--musing amid midnight
churchyards--stumbling over bones--and returning home to light his lamp,
inserted in a gaping skull, and to write out his gloomy cogitations.
This is very far from being his real character. He was more frequently
seen wandering amidst the flowery nooks of summer, with a microscope in
his hand; or, on his way home from his pastoral visitations, stopping to
analyse the fungi and the mosses which met him on his path; or musing
above the long liquid lapse of some wayside stream, down which were
floating the red leaves of autumn; or turning a telescope of his own
construction aloft to the gleaming host of heaven. In his mode of
spending his time, as well as in some of the stern features of his
genius, he resembled Crabbe, who, believing that every weed was a
flower, spent much of his time amidst the fields and on the sea-shores;
who extracted delight out of the meanest fungus, even as he extracted
poetry out of the humblest characters; and whose life, like Blair's, was
a harmless dream.
Public-domain text, read in full here on John Shaqi.
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