The poetical works of Edmund Clarence StedmanStedman, Edmund Clarence
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The poetical works of Edmund Clarence Stedman
Stedman, Edmund Clarence
American poetry -- 19th century
’Twas well: but the fire would still flash up in sharp, heat-lightning
gleams,
And ever at night the false, fair face shone into passionate dreams;
The false, fair form, through many a year, was somewhere close at my
side,
And crept, as by right, to my very arms and the place of my patient
bride.
Bride and vision have passed away, and I am again alone;
Changed by years; not wiser, I think, but only different grown:
Not so much nearer wisdom is a man than a boy, forsooth,
Though, in scorn of what has come and gone, he hates the ways of his
youth.
In seven years, I have heard it said, a soul shall change its frame;
Atom for atom, the man shall be the same, yet not the same;
The last of the ancient ichor shall pass away from his veins,
And a new-born light shall fill the eyes whose earlier lustre wanes.
In seven years, it is written, a man shall shift his mood;
Good shall seem what was evil, and evil the thing that was good:
Ye that welcome the coming and speed the parting guest,
Tell me, O winds of summer! am I not half-confest?
For along the tide of this mellow month new fancies guide my helm,
Another form has entered my heart as rightful queen of the realm;
From under their long black lashes new eyes—half-blue, half-gray—
Pierce through my soul, to drive the ghost of the old love quite away.
Shadow of years! at last it sinks in the sepulchre of the past,—
A gentle image and fair to see; but was my passion so vast?
“For you,” I said, “be you false or true, are ever life of my life!”
Was it myself or another who spoke, and asked her to be his wife?
For here, on the dear old hillside, I lie at rest again,
And think with a quiet self-content of all the passion and pain,
Of the strong resolve and the after-strife; but the vistas round me seem
So little changed that I hardly know if the past is not a dream.
Can I have sailed, for seven years, far out in the open world;
Have tacked and drifted here and there, by eddying currents whirled;
Have gained and lost, and found again; and now, for a respite, come
Once more to the happy scenes of old, and the haven I voyaged from?
Blended, infinite murmurs of True Love’s earliest song,
Where are you slumbering out of the heart that gave you echoes so long?
But chords that have ceased to vibrate the swell of an ancient strain
May thrill with a soulful music when rightly touched again.
Rock and forest and meadow,—landscape perfect and true!
O, if ourselves were tender and all unchangeful as you,
I should not now be dreaming of seven years that have been,
Nor bidding old love good by forever, and letting the new love in!
ESTELLE.
“How came he mad?”—HAMLET.
Public-domain text, read in full here on John Shaqi.
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