any of those are wanting or imperfect, so much wants or is imperfect in the imitation of human life, which is in the very definition of a poem. Words indeed, like glaring colours, are the first beauties that arise, and strike the sight; but if the draught be false or lame, the figures ill-disposed, the manners obscure or inconsistent, or the thoughts unnatural, then the finest colours are but daubing, and the piece is a beautiful monster at the best. Neither Virgil nor Homer were deficient in any of the former beauties; but in this last, which is expression, the Roman poet is at least equal to the Grecian, as I have said elsewhere, supplying the poverty of his language by his musical ear, and by his diligence. But to return: our two great poets, being so different in their tempers, one choleric and sanguine, the other phlegmatic and melancholic; that which makes them excel in their several ways is, that each of them has followed his own natural inclination, as well in forming the design, as in the execution of it. The very heroes show their authors; Achilles is hot, impatient, revengeful--_impiger, iracundus, inexorabilis, acer,_ &c.: Æneas patient, considerate, careful of his people, and merciful to his enemies; ever submissive to the will of Heaven--_quò fata trahunt, retrahuntque, sequamur_. I could please myself with enlarging on this subject, but am forced to defer it to a fitter time. From all I have said, I will only draw this inference, that the action of Homer being more full of vigour than that of Virgil, according to the temper of the writer, is of consequence more pleasing to the reader. One warms you by degrees; the other sets you on fire all at once, and never intermits his heat. 'Tis the same difference which Longinus makes betwixt the effects of eloquence in Demosthenes and Tully--one persuades; the other commands. You never cool while you read Homer, even not in the second book (a graceful flattery to his countrymen), but he hastens from the ships, and concludes not that book till he has made you an amends by the violent playing of a new machine. From thence he hurries on his action with variety of events, and ends it in less compass than two months. This vehemence of his, I confess, is more suitable to my temper; and therefore I have translated his first book with greater pleasure than any part of Virgil. But it was not a pleasure without pains; the continual agitations of the spirits must needs be a weakening of any constitution, especially in age, and many pauses are required for refreshment betwixt the heats, the Iliad of itself being a third part longer than all Virgil's works together.