The Poetical Works of John Skelton, Volume 2 (of 2)Skelton, John
General
The Poetical Works of John Skelton, Volume 2 (of 2)
Skelton, John
English poetry -- Early modern, 1500-1700
v. 60.
_Somwhat I coulde enferre,_
_Your consayte to debarre_]
i. e. I could bring in somewhat to hinder, contravene, your conception of
the subject. So again in our author’s _Garlande of Laurell_;
“Madame, your apposelle is wele _inferrid_,
And at your auauntage quikly it is
Towchid, and hard for to be _debarrid_.”
v. 141. vol. i. 367.
Page 228. v. 65. _fet_] i. e. fetch.
v. 72. _the surpluse of my sawe_] i. e. the remainder of my saying.
v. 74. _where as_] i. e. where.
v. 80. _ryn_] i. e. run.
v. 86. _wonder_] I may observe that the Roxburgh reprint, without
authority, and against the sense, has “no _wonder_.”
v. 89. _ken_] i. e. instruct.
v. 90. _wonders_] i. e. wondrous.
v. 92. _to_] i. e. too.
Page 229. v. 94. _other_] i. e. either.
v. 95.
_To you I arecte it, and cast_
_Therof the reformacyon_]
So Skelton again;
“Syth vnto me formest this processe is _erectyd_.”
v. 2507 of the present drama.
“_Arrectinge_ vnto your wyse examinacion
How all that I do is vnder refformation.”
_Garlande of Laurell_, v. 410. vol. i. 378.
He has also,
“_Arectyng_ my syght towarde the zodyake.”
_Id._ v. 1. p. 361.
“My supplycacyon to you I _arrect_.”
_Id._ v. 55. p. 363.
_Arect_ in our early writers frequently signifies—impute, a meaning
foreign to the present passages: in the two last cited, there can be no
doubt that it is used in the sense of—raise: in the others it seems to
mean—offer, refer.
Page 229. v. 103. _Come of, therfore, let se_] Compare Chaucer;
“—— _let see, come off_, and say.”
_Court of Loue_,—_Workes_, fol. 331. ed. 1602.
and _Reynard the Fox_; “Why tarye ye thus longe, _come of_.” Sig. b 7.
ed. 1481: and _Morte d’Arthur_; “_Come of_ thenne sayd they alle, and do
hit.” Book xx. cap. iiii. vol. ii. 394. ed. Southey.
v. 106. _reason and skyll_] An expression which Skelton has elsewhere;
but the words are nearly synonymous. “_Skyll_. Racio.” _Prompt. Parv._
ed. 1499.
v. 113. _chere_] i. e. spirit,—or reception.
v. 114. _intere_] i. e. entire.
v. 115. _Oracius to recorde_] i. e. Horace to witness.
v. 117. _to_] i. e. too.
v. 126. _Measure is treasure_] Lydgate mentions this as “an olde
prouerbe:” see his verses on Moderation, _MS. Harl._ 2251. fol. 29, and
his poem beginning “Men wryte of oold how _mesour is tresour.” Id._ 2255.
fol. 143.
—— _this_] i. e. thus: see note, p. 86. v. 38.
Page 230. v. 131. _Ye_] i. e. Yea.
v. 133. _kynde_] i. e. nature.
v. 134. _renne_] i. e. run.
v. 137. _a rest_] i. e. a wrest—by which the strings of harps and other
musical instruments were drawn up.
v. 138. _All trebyllys and tenours be rulyd by a meyne_] “Intercentus, a
_meane_ of a songe.” _Ortus Vocab._ fol. ed. W. de Worde, n. d. In the
notes on Shakespeare, in Todd’s _Johnson’s Dict._ &c., _mean_ is wrongly
explained—tenor: what the _mean_ was, depended entirely on the nature of
the composition.
v. 139. _beste_] i. e. beast.
v. 149. _skyll_] i. e. reason: see note on v. 106.
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