O thou whom none hath utter'd, leaving all
To thee that infinite, consummate form,
Which the great powers, the gods around thy throne
And nearest to thy counsels, know with thee
For ever to have been; but who she is,
Or what her likeness, know not. Man surveys 620
A narrower scene, where, by the mix'd effect
Of things corporeal on his passive mind,
He judgeth what is fair. Corporeal things
The mind of man impel with various powers,
And various features to his eye disclose.
The powers which move his sense with instant joy,
The features which attract his heart to love,
He marks, combines, reposits. Other powers
And features of the self-same thing (unless
The beauteous form, the creature of his mind, 630
Request their close alliance) he o'erlooks
Forgotten; or with self-beguiling zeal,
Whene'er his passions mingle in the work,
Half alters, half disowns. The tribes of men
Thus from their different functions and the shapes
Familiar to their eye, with art obtain,
Unconscious of their purpose, yet with art
Obtain the Beauty fitting man to love;
Whose proud desires from Nature's homely toil
Oft turn away, fastidious, asking still 640
His mind's high aid, to purify the form
From matter's gross communion; to secure
For ever, from the meddling hand of Change
Or rude Decay, her features; and to add
Whatever ornaments may suit her mien,
Where'er he finds them scatter'd through the paths
Of Nature or of Fortune. Then he seats
The accomplish'd image deep within his breast,
Reviews it, and accounts it good and fair.
Public-domain text, read in full here on John Shaqi.
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