Hath Xeres any Pounder now,
When other weapons fail,
With club to thrash invaders rash,
Like barley with a flail?
Hath Seville any Perez still,
To lay his clusters low,
And ride with seven turbans green
Around his saddle-bow?
No! never more shall Europe see
Such Heroes brave and bold,
Such Valor, Faith and Loyalty,
As used to shine of old!
No longer to one battle cry
United Spaniards run,
And with their thronging spears uphold
The Virgin and her Son!
From Cadiz Bay to rough Biscay
Internal discord dwells,
And Barcelona bears the scars
Of Spanish shot and shells.
The fleets decline, the merchants pine
For want of foreign trade;
And gold is scant; and Alicante
Is seal'd by strict blockade!
The loyal fly, and Valor falls,
Opposed by court intrigue;
But treachery and traitors thrive,
Upheld by foreign league;
While factions seeking private ends
By turns usurping reign--
Well may the dreaming, scheming Moor
Exulting point to Spain!
Well may he cleanse the rusty Key
With Afric sand and oil,
And hope an Andalusian home
Shall recompense the toil!
Well may he swear the Moorish spear
Through wild Castile shall sweep,
And where the Catalonian sowed
The Saracen shall reap!
Well may he vow to spurn the Cross
Beneath the Arab hoof,
And plant the Crescent yet again
Above th' Alhambra's roof--
When those from whom St. Jago's name
In chorus once arose,
Are shouting Faction's battle-cries,
And Spain forgets to "Close!"
Well may he swear his ataghan
Shall rout the traitor swarm,
And carve them into Arabesques
That show no human form--
The blame be theirs, whose bloody feuds
Invite the savage Moor,
And tempt him with the ancient Key
To seek the ancient door!
THE WORKHOUSE CLOCK.
AN ALLEGORY.
There's a murmur in the air,
And noise in every street--
The murmur of many tongues,
The noise of numerous feet--
While round the Workhouse door
The Laboring Classes flock,
For why? the Overseer of the Poor
Is setting the Workhouse Clock.
Who does not hear the tramp
Of thousands speeding along
Of either sex and various stamp,
Sickly, cripple, or strong,
Walking, limping, creeping
From court and alley, and lane,
But all in one direction sweeping
Like rivers that seek the main?
Who does not see them sally
From mill, and garret, and room,
In lane, and court and alley,
From homes in poverty's lowest valley,
Furnished with shuttle and loom--
Poor slaves of Civilization's galley--
And in the road and footways rally,
As if for the Day of Doom?
Some, of hardly human form,
Stunted, crooked, and crippled by toil;
Dingy with smoke and dust and oil,
And smirch'd besides with vicious soil,
Clustering, mustering, all in a swarm.
Father, mother, and careful child,
Looking as if it had never smiled--
The Sempstress, lean, and weary, and wan,
With only the ghosts of garments on--
The Weaver, her sallow neighbor,
The grim and sooty Artisan;
Every soul--child, woman, or man,
Who lives--or dies--by labor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account