Sweet was the tune--the words were even sweeter--
Praising her eyes, her lips, her nose, her hair,
With all the common tropes wherewith in metre
The hackney poets overcharge their fair.
Her shape was like Diana's, but completer;
Her brow with Grecian Helen's might compare:
Cupid, alas! was cruel Sagittarius,
Julio--the weeping water-man Aquarius.
XVII.
Now, after listing to such laudings rare,
'Twas very natural indeed to go--
What if she did postpone one little pray'r--
To ask her mirror "if it was not so?"
'Twas a large mirror, none the worse for wear,
Reflecting her at once from top to toe:
And there she gazed upon that glossy track,
That show'd her front face tho' it "gave her back."
XVIII.
And long her lovely eyes were held in thrall,
By that dear page where first the woman reads:
That Julio was no flatt'rer, none at all,
She told herself--and then she told her beads;
Meanwhile, the nerves insensibly let fall
Two curtains fairer than the lily breeds;
For Sleep had crept and kiss'd her unawares,
Just at the half-way milestone of her pray'rs.
XIX.
Then like a drooping rose so bended she,
Till her bow'd head upon her hand reposed;
But still she plainly saw, or seem'd to see,
That fair reflection, tho' her eyes were closed,
A beauty-bright as it was wont to be,
A portrait Fancy painted while she dozed:
'Tis very natural some people say,
To dream of what we dwell on in the day.
XX.
Still shone her face--yet not, alas! the same,
But 'gan some dreary touches to assume,
And sadder thoughts, with sadder changes came--
Her eyes resigned their light, her lips their bloom,
Her teeth fell out, her tresses did the same,
Her cheeks were tinged with bile, her eyes with rheum:
There was a throbbing at her heart within,
For, oh! there was a shooting in her chin.
XXI.
And lo! upon her sad desponding brow,
The cruel trenches of besieging age,
With seams, but most unseemly, 'gan to show
Her place was booking for the seventh stage;
And where her raven tresses used to flow,
Some locks that Time had left her in his rage.
And some mock ringlets, made her forehead shady,
A compound (like our Psalms) of tete and braidy.
XXII.
Then for her shape--alas! how Saturn wrecks,
And bends, and corkscrews all the frame about,
Doubles the hams, and crooks the straightest necks,
Draws in the nape, and pushes forth the snout,
Makes backs and stomachs concave or convex:
Witness those pensioners called In and Out,
Who all day watching first and second rater,
Quaintly unbend themselves--but grow no straighter.
XXIII.
So Time with fair Bianca dealt, and made
Her shape a bow, that once was like an arrow;
His iron hand upon her spine he laid,
And twisted all awry her "winsome marrow."
In truth it was a change!--she had obey'd
The holy Pope before her chest grew narrow,
But spectacles and palsy seem'd to make her
Something between a Glassite and a Quaker.
XXIV.
Public-domain text, read in full here on John Shaqi.
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