The Poetical Works of William Wordsworth — Volume 1 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 1 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
In reference to this poem, I will here mention one of the most
remarkable facts in my own poetic history, and that of Mr. Coleridge.
In the spring of the year 1798, he, my sister, and myself, started
from Alfoxden pretty late in the afternoon, with a view to visit
Linton and the Valley of Stones near it; and as our united funds were
very small, we agreed to defray the expense of the tour by writing a
poem, to be sent to the 'New Monthly Magazine', set up by Philips, the
bookseller, and edited by Dr. Aikin. Accordingly we set off, and
proceeded along the Quantock Hills, towards Watchet; and in the course
of this walk was planned the poem of 'The Ancient Mariner', founded on
a dream, as Mr. Coleridge said, of his friend Mr. Cruikshank. Much the
greatest part of the story was Mr. Coleridge's invention; but certain
parts I myself suggested: for example, some crime was to be committed
which should bring upon the Old Navigator, as Coleridge afterwards
delighted to call him, the spectral persecution, as a consequence of
that crime, and his own wanderings. I had been reading in Shelvocke's
'Voyages', a day or two before, that, while doubling Cape Horn, they
frequently saw albatrosses in that latitude, the largest sort of
sea-fowl, some extending their wings twelve or thirteen feet.
'Suppose,' said I, 'you represent him as having killed one of these
birds on entering the South Sea, and that the tutelary spirits of
these regions take upon them to avenge the crime.' The incident was
thought fit for the purpose, and adopted accordingly. I also suggested
the navigation of the ship by the dead men, but do not recollect that
I had anything more to do with the scheme of the poem. The gloss with
which it was subsequently accompanied was not thought of by either of
us at the time; at least not a hint of it was given to me, and I have
no doubt it was a gratuitous after-thought. We began the composition
together, on that to me memorable evening: I furnished two or three
lines at the beginning of the poem, in particular--
And listen'd like a three years' child;
The Mariner had his will.
Public-domain text, read in full here on John Shaqi.
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