The Poetical Works of William Wordsworth — Volume 2 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 2 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
"I am informed that these lines have been cited as a specimen of
despicable puerility. So much the worse for the citer; not willingly
in _his_ presence would I behold the sun setting behind our
mountains.... But let the dead bury their dead! The poet sang for the
living.... I was always pleased with the motto placed under the figure
of the rosemary in old herbals:
'Sus, apage! Haud tibi spiro.'"
Compare the passage in 'The Excursion' (book ix. l. 36) beginning:
'... Ah! why in age
Do we revert so fondly, etc.'
also that in 'The Prelude' (book v. l. 507) beginning:
'Our childhood sits.'
* * * * *
WRITTEN IN MARCH, WHILE RESTING ON THE BRIDGE AT THE FOOT OF BROTHERS
WATER
Composed April 16, 1802.--Published 1807
[Extempore. This little poem was a favourite with Joanna Baillie.--I.F.]
One of the "Poems of the Imagination."--Ed.
The Cock is crowing,
The stream is flowing,
The small birds twitter,
The lake doth glitter,
The green field sleeps in the sun; 5
The oldest and youngest
Are at work with the strongest;
The cattle are grazing,
Their heads never raising;
There are forty feeding like one! 10
Like an army defeated
The snow hath retreated,
And now doth fare ill
On the top of the bare hill;
The Ploughboy is whooping--anon--anon: [A] 15
There's joy in the mountains;
There's life in the fountains;
Small clouds are sailing,
Blue sky prevailing;
The rain is over and gone! 20
* * * * *
FOOTNOTE ON THE TEXT
[Footnote A: This line was an afterthought.--Ed.]
The text of this poem was never altered. It was not "written in March"
(as the title states), but on the 16th of April (Good Friday) 1802. The
bridge referred to crosses Goldrill Beck, a little below Hartsop in
Patterdale. The following, from Dorothy Wordsworth's Journal, records
the walk from Ullswater, over Kirkstone Pass, to Ambleside:
Public-domain text, read in full here on John Shaqi.
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