Enough;--the mighty concourse I surveyed With no unthinking mind, well pleased to note 220 Among the crowd all specimens of man, Through all the colours which the sun bestows, And every character of form and face: The Swede, the Russian; from the genial south, The Frenchman and the Spaniard; from remote 225 America, the Hunter-Indian; Moors, Malays, Lascars, the Tartar, the Chinese, And Negro Ladies in white muslin gowns. At leisure, then, I viewed, from day to day, The spectacles within doors,--birds and beasts 230 Of every nature, and strange plants convened From every clime; and, next, those sights that ape The absolute presence of reality, Expressing, as in mirror, sea and land, And what earth is, and what she has to shew. 235 I do not here allude to subtlest craft, By means refined attaining purest ends, But imitations, fondly made in plain Confession of man's weakness and his loves. Whether the Painter, whose ambitious skill 240 Submits to nothing less than taking in A whole horizon's circuit, do with power, Like that of angels or commissioned spirits, Fix us upon some lofty pinnacle, Or in a ship on waters, with a world 245 Of life, and life-like mockery beneath, Above, behind, far stretching and before; Or more mechanic artist represent By scale exact, in model, wood or clay, From blended colours also borrowing help, 250 Some miniature of famous spots or things,-- St. Peter's Church; or, more aspiring aim, In microscopic vision, Rome herself; Or, haply, some choice rural haunt,--the Falls Of Tivoli; and, high upon that steep, 255 The Sibyl's mouldering Temple! every tree, Villa, or cottage, lurking among rocks Throughout the landscape; tuft, stone scratch minute-- All that the traveller sees when he is there.