The Poetical Works of William Wordsworth — Volume 3 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 3 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
There are in our existence spots of time,
That with distinct pre-eminence retain
A renovating virtue, whence, depressed 210
By false opinion and contentious thought,
Or aught of heavier or more deadly weight,
In trivial occupations, and the round
Of ordinary intercourse, our minds
Are nourished and invisibly repaired; 215
A virtue, by which pleasure is enhanced,
That penetrates, enables us to mount,
When high, more high, and lifts us up when fallen.
This efficacious spirit chiefly lurks
Among those passages of life that give 220
Profoundest knowledge to what point, and how,
The mind is lord and master--outward sense
The obedient servant of her will. Such moments
Are scattered everywhere, taking their date
From our first childhood. [C] I remember well, 225
That once, while yet my inexperienced hand
Could scarcely hold a bridle, with proud hopes
I mounted, and we journeyed towards the hills: [D]
An ancient servant of my father's house
Was with me, my encourager and guide: 230
We had not travelled long, ere some mischance
Disjoined me from my comrade; and, through fear
Dismounting, down the rough and stony moor
I led my horse, and, stumbling on, at length
Came to a bottom, where in former times 235
A murderer had been hung in iron chains.
The gibbet-mast had mouldered down, the bones
And iron case were gone; but on the turf,
Hard by, soon after that fell deed was wrought,
Some unknown hand had carved the murderer's name. 240
The monumental letters were inscribed
In times long past; but still, from year to year,
By superstition of the neighbourhood,
The grass is cleared away, and to this hour
The characters are fresh and visible: 245
A casual glance had shown them, and I fled,
Faltering and faint, and ignorant of the road:
Then, reascending the bare common, saw
A naked pool that lay beneath the hills,
The beacon on the summit, and, more near, 250
A girl, who bore a pitcher on her head,
And seemed with difficult steps to force her way
Against the blowing wind. It was, in truth,
An ordinary sight; but I should need
Colours and words that are unknown to man, 255
To paint the visionary dreariness
Which, while I looked all round for my lost guide,
Invested moorland waste, and naked pool,
The beacon crowning the lone eminence,
The female and her garments vexed and tossed 260
By the strong wind. When, in the blessed hours
Of early love, the loved one at my side, [E]
I roamed, in daily presence of this scene,
Upon the naked pool and dreary crags,
And on the melancholy beacon, fell 265
A spirit of pleasure and youth's golden gleam;
Public-domain text, read in full here on John Shaqi.
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