The Poetical Works of William Wordsworth — Volume 5 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 5 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
[Footnote GQ: Possibly at Dale End, Grasmere.--ED.]
[Footnote GR: Probably the Wyke, Sarah Mackereth's Cottage.--ED.]
[Footnote GS: See Wordsworth's note, p. 388.--ED.]
[Footnote GT: Silver How is the only "dark mountain" visible to the west
from the moss-grown seat in the Grasmere Churchyard; but here again the
realism of the narrative gives way, and not Silver How but Lingmoor is
described, with Hackett Cottage at its south-eastern foot. The Fenwick
note is here explicit. "First for the one picture given by the Wanderer
of the living. In this nothing is introduced but what was taken from
nature and real life. The cottage was called Hackett, and stands, as
described, on the southern extremity of the ridge which separates the
two Langdales. The pair who inhabited it were called Jonathan and Betty
Yewdale." Later on, in book vi. p. 250, Wordsworth describes the blue
roofs of Hawkshead village as ornamenting
a distant reach
_Of this far-winding vale_.
Unless, therefore, he is speaking in the vague, Hackett and not Grasmere
is the place described. The Fenwick note to the _Epistle to Sir George
Beaumont_, however, decides the question (see vol. iv. p. 256). "The
house (Hackett) and its inmates are referred to in the fifth book of _The
Excursion_, in the passage beginning--
You behold,
High on the breast of yon dark mountain, dark." ED.
]
[Footnote GU: Compare the Sonnet (of 1815) referring to Allan Bank,
beginning--
Even as a dragon's eye that feels the stress
Of a bedimming sleep, or as a lamp
Suddenly glaring through sepulchral damp,
So burns yon Taper 'mid a black recess
Of mountains, silent, dreary, motionless, etc. ED.
]
[Footnote GV: Compare the Sonnet (of 1815) beginning--
The fairest, brightest, hues of ether fade,
and more especially the Fenwick note, prefixed to that sonnet.--ED.]
[Footnote GW: This feminine complexion of the Cumbrian peasants who work
in the higher mines, is probably in part due to the continual mists and
moisture of the heights. It has been observed especially amongst the
workers in the high slate quarries at Walna Scar.--ED.]
[Footnote GX: In a note to the edition of 1814, Wordsworth added to the
above quotation _Southey's Retrospect_. See p. 388 of this volume.]
[Footnote GY: In 1814 Wordsworth added to this line a prefatory note to
his _Essay upon Epitaphs_, and the _Essay_ itself, for which see _The
Prose Works_.]
[Footnote GZ: On the 1st of August 1849, during the last year of the
poet's life, he transcribed the five lines beginning--
Life, I repeat, is energy of love
on a presentation copy of his works, sent to Thomas Gough. It was one of
the last things he ever wrote.--ED.]
Book Sixth
THE CHURCH-YARD AMONG THE MOUNTAINS
ARGUMENT
Public-domain text, read in full here on John Shaqi.
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