The Poetical Works of William Wordsworth — Volume 6 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 6 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
[Footnote FG: "The 'dark dell' is perhaps Hardknot Ghyll. It is the only
spot in this part of the valley which could be so described. A footpath
which passes through the farmyard of Black Hall runs alongside this
ghyll and joins the Duddon Valley with the Whitehaven Road. The 'blue
streamlet' would then perhaps be the little tributary which flows down
the length of the ghyll over a slaty bed to join the Duddon below; or
perhaps Wordsworth was mentally addressing the Duddon itself, though
from the interior of the ghyll he would not be able to see it.
The alternative view is that by the 'dark dell' no particular spot is
indicated but the whole of the upper valley of the Duddon, which is of a
savage and forbidding aspect, and quite of a character to have inspired
the sonnet. It is almost treeless, and the ground on either side of the
stream is covered with bracken and loose blocks of slate, while the
fells rise steeply on either hand, and are capped by naked crags.
As to the epithet '_blue_' (line 10), the cerulean colour of the Duddon
is one of its most exquisite characteristics, and is due, as Wordsworth
has himself[FH] explained, to the hue of the rocks and gravel seen
through the 'perfectly pellucid' water." (Herbert Rix.)
* * * * *
"This sonnet puzzles me from the use of the words _dark dell_. I could
find nothing at all hereabout that could possibly be described so, until
I looked back at the rain-black solitudes north of Cockley Beck, and
imagined the poet using the word dark in the sense of mysterious, when I
can imagine he would have been helped to this thought of hideous usages,
and rites accursed, by the large Druid-like-looking boulders, and the
mounds of burial, suggested by the moraine-heaps in the neighbourhood.
But I think the '_blue Streamlet_' must have been suggested by the light
blue grey colour of the slate pebbles over which Duddon slides so easily
here." (H. D. Rawnsley.)
]
[Footnote FH: See his _Guide to the Lakes_. Fifth edition. Kendal, 1835,
p. 27.--ED.]
IX
THE STEPPING-STONES
The struggling Rill insensibly is grown
Into a Brook of loud and stately march,
Crossed ever and anon by plank or[440] arch;
And, for like use, lo! what might seem a zone
Chosen for ornament--stone matched with stone 5
In studied symmetry, with interspace
For the clear waters to pursue their race
Without restraint. How swiftly have they flown,
Succeeding--still succeeding! Here the Child
Puts, when the high-swoln Flood runs fierce and wild,
His budding courage to the proof; and here 11
Declining Manhood learns to note the sly
And sure encroachments of infirmity,
Thinking how fast time runs, life's end how near![FI]
FOOTNOTES:
Public-domain text, read in full here on John Shaqi.
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