The Poetical Works of William Wordsworth — Volume 6 (of 8)Wordsworth, William
General
The Poetical Works of William Wordsworth — Volume 6 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
on Wallabarrow, but found none there sufficiently striking to suggest
Sonnet XV. Standing at Newfield Farm and looking north to the Pen, where
it rises beyond the ruined mill, there certainly is upon its southern
face just such a niche, but the green ivy has displaced the 'gloom.'"
(H. D. Rawnsley.)]
[Footnote FP: See Humboldt's Personal Narrative.--W. W. 1820.
"I cannot quit this first link (the finding of a piece of gold) of the
mountains of Encaramada without recalling to mind a fact that was not
unknown to Father Gili, and which was often mentioned to me during our
abode in the Missions of the Orinoco. The natives of those countries
have retained the belief that, 'at the time of the great waters, when
their fathers were forced to have recourse to boats to escape the
general inundation, the waves of the sea beat against the rocks of
Encaramada.' This belief is not confined to one nation singly, the
Tamanacs; it makes part of a system of historical tradition, of which we
find scattered notions among the Maypures of the great cataracts, among
the Indians of the Rio Erevato, which runs into the Caura, and among
almost all the tribes of the Upper Orinoco. When the Tamanacs are asked
how the human race survived this great Deluge, the 'age of water' of the
Mexicans, they say, 'a man and a woman saved themselves on a high
mountain, called Tamanacu, situated on the banks of the Asiveru, and
casting behind them, over their heads, the fruits of the Mauritia
palm-tree, they saw the seeds contained in those fruits produce men and
women, who re-peopled the earth.' Thus we find in all its simplicity,
among nations now in a savage state, a tradition which the Greeks
embellished with all the charms of imagination! A few leagues from
Encaramada, a rock, called _Tepu-mereme_, or 'the painted rock,' rises
in the midst of the Savannah. Upon it are traced representations of
animals, and symbolic figures resembling those we saw in going down the
Orinoco, at a small distance below Encaramada, near the town Caycara.
Similar rocks in Africa are called by travellers _fetish-stones_. I
shall not make use of this term, because fetishism does not prevail
among the natives of the Orinoco; and the figures of stars, of the sun,
of tigers, and of crocodiles, which we found traced upon the rocks in
spots now uninhabited, appeared to me in no way to denote the objects of
worship of those nations. Between the banks of the Cassiquiare and the
Orinoco, between Encaramada, the Capuchino, and Caycara, these
hieroglyphic figures are often seen at great heights, on rocky cliffs
which could be accessible only by constructing very lofty scaffolds.
When the natives are asked how those figures could have been sculptured,
they answer with a smile, as if relating a fact of which only a white
man could be ignorant, that 'at the period of the great waters, their
fathers went to that height in boats.'" Extract from _Humboldt's
Travels_, vol. ii. chap. iv. pp. 182-3 (Bohn's Edition.)--ED.
Public-domain text, read in full here on John Shaqi.
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