The Poetical Works of William Wordsworth — Volume 6 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 6 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
After all, the traveller would be most gratified who should approach
this beautiful Stream, neither at its source, as is done in the Sonnets,
nor from its termination; but from Coniston over Walna Scar; first
descending into a little circular valley, a collateral compartment of
the long winding vale through which flows the Duddon. This recess,
towards the close of September, when the after-grass of the meadows is
still of a fresh green, with the leaves of many of the trees faded, but
perhaps none fallen, is truly enchanting. At a point elevated enough to
show the various objects in the valley, and not so high as to diminish
their importance, the stranger will instinctively halt. On the
foreground, a little below the most favourable station, a rude
foot-bridge is thrown over the bed of the noisy brook, foaming by the
wayside. Russet and craggy hills, of bold and varied outline, surround
the level valley which is besprinkled with grey rocks plumed with birch
trees. A few homesteads are interspersed in some places, peeping out
from among the rocks like hermitages, whose site has been chosen for the
benefit of sunshine as well as shelter; in other instances, the
dwelling-house, barn, and byre, compose together a cruciform structure,
which, with its embowering trees and the ivy clothing part of the walls
and roof, like a fleece, call to mind the remains of an ancient abbey.
Time, in most cases, and nature every where, have given a sanctity to
the humble works of man, that are scattered over this peaceful
retirement. Hence a harmony of tone and colour, a consummation and
perfection of beauty, which would have been marred had aim or purpose
interfered with the course of convenience, utility, or necessity. This
unvitiated region stands in no need of the veil of twilight to soften or
disguise its features. As it glistens in the morning sunshine, it would
fill the spectator's heart with gladsomeness. Looking from our chosen
station, he would feel an impatience to rove among its pathways, to be
greeted by the milkmaid, to wander from house to house, exchanging
"good-morrows" as he passed the open doors; but, at evening, when the
sun is set, and a pearly light gleams from the western quarter of the
sky, with an answering light from the smooth surface of the meadows;
when the trees are dusky, but each kind still distinguishable; when the
cool air has condensed the blue smoke rising from the cottage-chimneys;
when the dark mossy stones seem to sleep in the bed of the foaming
Brook; _then_, he would be unwilling to move forward, not less from a
reluctance to relinquish what he beholds, than from an apprehension of
disturbing, by his approach, the quietness beneath him. Issuing from the
plain of this valley, the Brook descends in a rapid torrent, passing by
the churchyard of Seathwaite. The traveller is thus conducted at once
into the midst of the wild and beautiful scenery which gave occasion to
the Sonnets from the 14th to the 20th inclusive.
Public-domain text, read in full here on John Shaqi.
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