The Poetical Works of William Wordsworth — Volume 8 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 8 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
Such is the Oak of Allonville, in its state of nature. The hand of Man,
however, has endeavoured to impress upon it a character still more
interesting, by adding a religious feeling to the respect which its age
naturally inspires.
The lower part of its hollow trunk has been transformed into a Chapel
of six or seven feet in diameter, carefully wainscotted and paved, and
an open iron gate guards the humble Sanctuary.
Leading to it there is a staircase, which twists round the body of the
Tree. At certain seasons of the year divine service is performed in
this Chapel.
The summit has been broken off many years, but there is a surface at
the top of the trunk, of the diameter of a very large tree, and from it
rises a pointed roof, covered with slates, in the form of a steeple,
which is surmounted with an iron Cross, that rises in a picturesque
manner from the middle of the leaves, like an ancient Hermitage above
the surrounding Wood.
Over the entrance to the Chapel an Inscription appears, which informs
us it was erected by the Abbé du Détroit, Curate of Allonville, in the
year 1696; and over a door is another, dedicating it ‘To Our Lady of
Peace.’”--Vide 14 _No. Saturday Magazine_.--W.W. 1842.
[232] 1845.
… touch a grated iron door,
1842.
[233] 1845.
… his eyes the wondering creature cast,
1842.
[234] 1845.
… a …
1842.
[235] 1845.
And swift as lightning went the time, ere speech
1842.
[236] See note, p. 137.--ED.
[237] St. Peter’s Church.--ED.
[238] This stanza was added in the edition of 1845.
[239] 1845.
And though the dream, …
1842.
[240] 1845.
Was nothing, nor e’er can be aught, ’twas …
1842.
SUGGESTED BY A PICTURE OF THE BIRD OF PARADISE
Published 1842
[This subject has been treated of in another note. I will here only, by
way of comment, direct attention to the fact, that pictures of animals
and other productions of Nature, as seen in conservatories, menageries,
and museums, etc., would do little for the national mind, nay, they
would be rather injurious to it, if the imagination were excluded by
the presence of the object, more or less out of a state of Nature. If
it were not that we learn to talk and think of the lion and the eagle,
the palm-tree, and even the cedar, from the impassioned introduction of
them so frequently into Holy Scripture, and by great poets, and divines
who wrote as poets, the spiritual part of our nature, and therefore
the higher part of it, would derive no benefit from such intercourse
with such subjects.--I.F.]
One of the “Poems of the Imagination.”--ED.
Public-domain text, read in full here on John Shaqi.
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