[Upon what evidence the belief rests that this stone was a favourite seat of Dante, I do not know; but a man would little consult his own interest as a traveller, if he should busy himself with doubts as to the fact. The readiness with which traditions of this character are received, and the fidelity with which they are preserved from generation to generation, are an evidence of feelings honourable to our nature. I remember how, during one of my rambles in the course of a college vacation, I was pleased on being shown a seat near a kind of rocky cell at the source of the river, on which it was said that Congreve wrote his _Old Bachelor_. One can scarcely hit on any performance less in harmony with the scene; but it was a local tribute paid to intellect by those who had not troubled themselves to estimate the moral worth of that author’s comedies; and why should they? He was a man distinguished in his day; and the sequestered neighbourhood in which he often resided was perhaps as proud of him as Florence of her Dante: it is the same feeling, though proceeding from persons one cannot bring together in this way without offering some apology to the Shade of the great Visionary.--I.F.] Under the shadow of a stately Pile, The dome of Florence, pensive and alone, Nor giving heed to aught that passed the while, I stood, and gazed upon a marble stone, The laurelled Dante’s favourite seat.[154] A throne, 5 In just esteem, it rivals; though no style Be there of decoration to beguile The mind, depressed by thought of greatness flown. As a true man, who long had served the lyre, I gazed with earnestness, and dared no more. 10 But in his breast the mighty Poet bore A Patriot’s heart, warm with undying fire. Bold with the thought, in reverence I sate down, And, for a moment, filled that empty Throne. [154] The _Sasso di Dante_ is built into the wall of the house, No. 29 Casa dei Canonici, close to the Duomo.--ED. XX BEFORE THE PICTURE OF THE BAPTIST, BY RAPHAEL, IN THE GALLERY AT FLORENCE[155]