The Poetical Works of William Wordsworth — Volume 8 (of 8)Wordsworth, William
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The Poetical Works of William Wordsworth — Volume 8 (of 8)
Wordsworth, William
English poetry -- 18th century; English poetry -- 19th century
[Suggested by a conversation with Miss Fenwick, who along with her
sister had, during their childhood, found much delight in such
gatherings for the purposes here alluded to.--I.F.]
One of the “Miscellaneous Sonnets.”--ED.
Intent on gathering wool from hedge and brake
Yon busy Little-ones rejoice that soon
A poor old Dame will bless them for the boon:
Great is their glee while flake they add to flake
With rival earnestness; far other strife 5
Than will hereafter move them, if they make
Pastime their idol, give their day of life
To pleasure snatched for reckless pleasure’s sake.
Can pomp and show allay one heart-born grief?
Pains which the World inflicts can she requite? 10
Not for an interval however brief;
The silent thoughts that search for stedfast light,
Love from her depths,[221] and Duty in her might,
And Faith--these only yield secure relief.
_March 8th, 1842._
[221] 1845.
Love from on high, …
1842.
PRELUDE,
PREFIXED TO THE VOLUME ENTITLED “POEMS CHIEFLY OF EARLY AND LATE YEARS”
Composed March 26, 1842.--Published 1842
[These verses were begun while I was on a visit to my son John at
Brigham, and were finished at Rydal. As the contents of the volume,
to which they are now prefixed, will be assigned to their respective
classes when my poems shall be collected in one volume, I should be at
a loss where with propriety to place this prelude, being too restricted
in its bearing to serve for a preface for the whole. The lines towards
the conclusion allude to the discontents then fomented through the
country by the agitators of the Anti-Corn-Law League: the particular
causes of such troubles are transitory, but disposition to excite and
liability to be excited are nevertheless permanent, and therefore
proper objects for the poet’s regard.--I.F.]
One of the “Miscellaneous Poems.”--ED.
Public-domain text, read in full here on John Shaqi.
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