The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National CharacterRuskin, John
Philosophy
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character
Ruskin, John
Architecture
214. This appears singular to the casual traveler, who darts down from
the dust and heat of the French capital to the light and glory of the
Italian lakes, and finds the tall marble chambers and orange groves, in
which he thinks, were he possessed of them, he could luxuriate forever,
left desolate and neglected by their real owner; but, were he to try
such a residence for a single twelvemonth, we believe his wonder would
have greatly diminished at the end of the time. For the mind of the
nobleman in question does not differ from that of the average of men;
inasmuch as it is a well-known fact that a series of sublime
impressions, continued indefinitely, gradually pall upon the
imagination, deaden its fineness of feeling, and in the end induce a
gloomy and morbid state of mind, a reaction of a peculiarly melancholy
character, because consequent, not upon the absence of that which once
caused excitement, but upon the failure of its power.[43] This is not
the case with all men; but with those over whom the sublimity of an
unchanging scene can retain its power forever, we have nothing to do;
for they know better than any architect can, how to choose their scene,
and how to add to its effect; we have only to impress upon them the
propriety of thinking before they build, and of keeping their humors
under the control of their judgment.
[Footnote 43: [Compare _Modern Painters_. vol. III. chap. x. Sec. 15.]]
215. It is not of them, but of the man of average intellect, that we are
thinking throughout all these papers; and upon him it cannot be too
strongly impressed, that there are very few points in a hill country at
all adapted for a permanent residence. There is a kind of instinct,
indeed, by which men become aware of this, and shrink from the sterner
features of hill scenery into the parts possessing a human interest; and
thus we find the north side of the Lake Leman, from Vevay to Geneva,
which is about as monotonous a bit of vine-country as any in Europe,
studded with villas; while the south side, which is as exquisite a piece
of scenery as is to be found in all Switzerland, possesses, we think,
two. The instinct in this case is true; but we frequently find it in
error. Thus, the Lake of Como is the resort of half Italy, while the
Lago Maggiore possesses scarcely one villa of importance, besides those
on the Borromean Islands. Yet the Lago Maggiore is far better adapted
for producing and sustaining a pleasurable impression, than that of
Como.
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