The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National CharacterRuskin, John
Philosophy
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character
Ruskin, John
Architecture
[Footnote 46: We are not thinking of the effect upon the human frame of
the air which is favorable to vegetation. Chemically considered, the
bracing breeze of the more sterile soil is the most conducive to health,
and is practically so, when the frame is not perpetually exposed to it;
but the keenness which checks the growth of the plant is, in all
probability, trying, to say the least, to the constitution of a
resident.]
[Footnote 47: We hope the English language may long retain this corrupt
but energetic superlative.]
219. This position, being once granted, will save us a great deal of
trouble; for it will put out of our way, as totally unfit for villa
residence, nine-tenths of all mountain scenery; beginning with such
bleak and stormy bits of hillside as that which was metamorphosed into
something like a forest by the author of "Waverley;" laying an equal
veto on all the severe landscapes of such districts of minor mountains
as the Scotch Highlands and North Wales; and finishing by setting aside
all the higher sublimity of Alp and Apennine. What, then, has it left
us? The gentle slope of the lake shore, and the spreading parts of the
quiet valley in almost all scenery; and the shores of the Cumberland
lakes in our own, distinguished as they are by a richness of soil,
which, though generally manifested only in an exquisite softness of
pasture and roundness of undulation, is sufficiently evident to place
them out of the sweeping range of this veto.
220. Now, as we have only to do with Britain at present, we shall direct
particular attention to the Cumberland lakes, as they are the only
mountain district which, taken generally, is adapted for the villa
residence, and as every piece of scenery, which in other districts is so
adapted, resembles them in character and tone.
We noticed, in speaking of the Westmoreland cottage, the feeling of
humility with which we are impressed during a mountain ramble. Now, it
is nearly impossible for a villa of large size, however placed, not to
disturb and interrupt this necessary and beautiful impression,
particularly where the scenery is on a very small scale. This
disadvantage may be obviated in some degree, as we shall see, by
simplicity of architecture; but another, dependent on a question of
proportion, is inevitable.
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