112. We have bestowed considerable attention on this style of Garden Architecture, because it has been much abused by persons of high authority, and general good taste, who forgot, in their love of grace and ideal beauty, the connection with surrounding circumstances so manifest even in its formality. Eustace, we think, is one of these; and, although it is an error of a kind he is perpetually committing, he is so far right, that this mannerism is frequently carried into excess even in its own peculiar domain, then becoming disagreeable, and is always a dangerous style in inexperienced hands. We think, however, paradoxical as the opinion may appear, that every one who is a true lover of nature, and has been bred in her wild school, will be an admirer of this symmetrical designing, in its place; and will feel, as often as he contemplates it, that the united effect of the wide and noble steps, with the pure water dashing over them like heated crystal, the long shadows of the cypress groves, the golden leaves and glorious light of blossom of the glancing aloes, the pale statues gleaming along the heights in their everlasting death in life, their motionless brows looking down forever on the loveliness in which their beings once dwelt, marble forms of more than mortal grace lightening along the green arcades, amidst dark cool grottoes, full of the voice of dashing waters, and of the breath of myrtle blossoms, with the blue of the deep lake and the distant precipice mingling at every opening with the eternal snows glowing in their noontide silence, is one not unworthy of Italy's most noble remembrances. II. THE MOUNTAIN VILLA--LAGO DI COMO (Continued). 113. Having considered the propriety of the approach, it remains for us to investigate the nature of the feelings excited by the villas of the Lago di Como in particular, and of Italy in general.