The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National CharacterRuskin, John
Philosophy
The Poetry of Architecture: Or, the Architecture of the Nations of Europe Considered in its Association with Natural Scenery and National Character
Ruskin, John
Architecture
We mentioned that the bases of the mountains bordering the Lake of Como
were chiefly composed of black marble; black, at least, when polished,
and very dark gray in its general effect. This is very finely stratified
in beds varying in thickness from an inch to two or three feet; and
these beds, taken of a medium thickness, form flat slabs, easily broken
into rectangular fragments, which, being excessively compact in their
grain, are admirably adapted for a building material. There is a little
pale limestone[17] among the hills to the south; but this marble, or
primitive limestone (for it is not highly crystalline), is not only more
easy of access, but a more durable stone. Of this, consequently, almost
all the buildings on the lake shore are built; and, therefore, were
their material unconcealed, would be of a dark monotonous and melancholy
gray tint, equally uninteresting to the eye, and depressing to the mind.
To prevent this result, they are covered with different compositions,
sometimes white, more frequently cream-colored, and of varying depth;
the moldings and pilasters being frequently of deeper tones than the
walls. The insides of the grottoes, however, when not cut in the rock
itself, are left uncovered, thus forming a strong contrast with the
whiteness outside; giving great depth, and permitting weeds and flowers
to root themselves on the roughnesses, and rock streams to distill
through the fissures of the dark stones; while all parts of the building
to which the eye is drawn, by their form or details (except the capitals
of the pilasters), such as the urns, the statues, the steps, or
balustrades, are executed in very fine white marble, generally from the
quarries of Carrara, which supply quantities of fragments of the finest
quality, which nevertheless, owing to their want of size, or to the
presence of conspicuous veins, are unavailable for the higher purposes
of sculpture.
[Footnote 17: Pale limestone, with dolomite. A coarse dolomite forms the
mass of mountains on the east of Lake Lecco, Monte Campione, etc., and
part of the other side, as well as the Monte del Novo, above Cadenabbia;
but the bases of the hills, along the _shore_ of the Lake of Lecco, and
all the mountains on both sides of the lower limb of Como are black
limestone. The whole northern half of the lake is bordered by gneiss or
mica slate, with tertiary deposit where torrents enter it. So that the
dolomite is only obtainable by ascending the hills, and incurring
considerable expense of carriage; while the rocks of the shore split
into blocks of their own accord, and are otherwise an excellent
material.]
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