169. This is no exaggeration: we have not only listened to speculations on the probable degree of the future majesty, but contemplated the actual illustrious existence, of several such buildings, with sufficient beauty in the management of some of their features to show that an architect had superintended them, and sufficient taste in their interior economy to prove that a refined intellect had projected them; and had projected a Vandalism, only because fancy had been followed instead of judgment; with as much _nonchalance_ as is evinced by a perfect poet, who is extemporizing doggerel for a baby; full of brilliant points, which he cannot help, and jumbled into confusion, for which he does not care. 170. Such are the first difficulties to be encountered in villa designs. They must always continue to occur in some degree, though they might be met with ease by a determination on the part of professional men to give no assistance whatever, beyond the mere superintendence of construction, unless they be permitted to take the whole exterior design into their own hands, merely receiving broad instructions respecting the style (and not attending to them unless they like). They should not make out the smallest detail, unless they were answerable for the whole. In this case, gentlemen architects would be thrown so utterly on their own resources, that, unless those resources were adequate, they would be obliged to surrender the task into more practiced hands; and, if they were adequate, if the amateur had paid so much attention to the art as to be capable of giving the design perfectly, it is probable he would not erect anything strikingly abominable.