The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
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The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
Another root of the romantic spirit was the sense of, and naturally the
belief in, a world not to be felt of the senses or analysed by the
understanding; which was within the apparent world as its substance or
soul, or beyond it as the power by which it existed; and this mystic
belief took, among poets, philosophers, theologians, warriors and the
common people, a thousand forms, ranging from full-schemed philosophies
to the wildest superstitions. It tended, in its extremes, to make this
world a shadow, a dream; and our life only a real life when it
habitually dwelt in the mystic region mortal eye could not see, whose
voices mortal ear could not receive. Out of this root, which shot its
first fibres into the soul of humanity in the days of the earliest
savage and separated him by an unfathomable gulf from the brute, arose
all the myths and legends and mystic stories which fill romance. Out of
it developed the unquenchable thirst of those of the romantic temper for
communion with the spiritual beings of this mystic world; a thirst
which, however repressed for a time, always arises again; and is even
now arising among the poets of to-day.
In Browning's view of the natural world some traces of this element of
the romantic spirit may be distinguished, but in his poetry of Man it
scarcely appears. Nor, indeed, is he ever the true mystic. He had too
much of the sense which handles daily life; he saw the facts of life too
clearly, to fall into the vaguer regions of mysticism. But one part of
its region, and of the romantic spirit, so incessantly recurs in
Browning that it may be said to underlie the whole of his work. It is
that into which the thoughts and passions of the romantic poets in all
ages ran up, as into a goal--the conception of a perfect world, beyond
this visible, in which the noble hopes, loves and work of
humanity--baffled, limited, and ruined here--should be fulfilled and
satisfied. The Greeks did not frame this conception as a people, though
Plato outreached towards it; the Romans had it not, though Vergil seems
to have touched it in hours of inspiration. The Teutonic folk did not
possess it till Christianity invaded them. Of course, it was alive like
a beating heart in Christianity, that most romantic of all religions.
But the Celtic peoples did conceive it before Christianity and with a
surprising fulness, and wherever they went through Europe they pushed it
into the thought, passions and action of human life. And out of this
conception, which among the Irish took form as the Land of Eternal
Youth, love and joy, where human trouble ceased, grew that element in
romance which is perhaps the strongest in it--the hunger for eternity,
for infinite perfection of being, and, naturally, for unremitting
pursuit of it; and among Christian folk for a life here which should fit
them for perfect life to come. Christian romance threw itself with
fervour into that ideal, and the pursuit, for example, of the Holy Grail
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