The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
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The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
One would easily fall in love with her, like those sensitive princes in
the _Arabian Nights_, who, hearing only of the charms of a princess, set
forth to find her over the world. Of all Browning's women, she is the
most luminous, the most at unity with herself. She has the Greek
gladness and life, the Greek intelligence and passion, and the Greek
harmony. All that was common, prattling, coarse, sensual and spluttering
in the Greek, (and we know from Aristophanes how strong these lower
elements were in the Athenian people), never shows a trace of its
influence in Balaustion. Made of the finest clay, exquisite and delicate
in grain, she is yet strong, when the days of trouble come, to meet them
nobly and to change their sorrows into spiritual powers.
And the _mise-en-scène_ in which she is placed exalts her into a
heroine, and adds to her the light, colour and humanity of Greek
romance. Born at Rhodes, but of an Athenian mother, she is fourteen
when the news arrives that the Athenian fleet under Nikias, sent to
subdue Syracuse, has been destroyed, and the captive Athenians driven to
labour in the quarries. All Rhodes, then in alliance with Athens, now
cries, "Desert Athens, side with Sparta against Athens." Balaustion
alone resists the traitorous cry. "What, throw off Athens, be disloyal
to the source of art and intelligence--
to the life and light
Of the whole world worth calling world at all!"
And she spoke so well that her kinsfolk and others joined her and took
ship for Athens. Now, a wind drove them off their course, and behind
them came a pirate ship, and in front of them loomed the land. "Is it
Crete?" they thought; "Crete, perhaps, and safety." But the oars flagged
in the hands of the weary men, and the pirate gained. Then Balaustion,
springing to the altar by the mast, white, rosy, and uplifted, sang on
high that song of Æschylus which saved at Salamis--
'O sons of Greeks, go, set your country free,
Free your wives, free your children, free the fanes
O' the Gods, your fathers founded,--sepulchres
They sleep in! Or save all, or all be lost.'
The crew, impassioned by the girl, answered the song, and drove the boat
on, "churning the black water white," till the land shone clear, and the
wide town and the harbour, and lo, 'twas not Crete, but Syracuse,
luckless fate! Out came a galley from the port. "Who are you; Sparta's
friend or foe?" "Of Rhodes are we, Rhodes that has forsaken Athens!"
"How, then, that song we heard? All Athens was in that Æschylus. Your
boat is full of Athenians--back to the pirate; we want no Athenians
here.... Yet, stay, that song was Æschylus; every one knows it--how
about Euripides? Might you know any of his verses?" For nothing helped
the poor Athenians so much if any of them had his mouth stored with
Old glory, great plays that had long ago
Made themselves wings to fly about the world,--
Public-domain text, read in full here on John Shaqi.
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