The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
General
The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
For, like Herakles, in his own _Alkestis_, he now strides away (and this
is the true end of the _Alkestis_) to surmount all heights of destiny."
While she spoke thus, the Chorus of the Comedy, girls, boys, and men, in
drunken revel and led by Aristophanes, thundered at the door and claimed
admittance. Balaustion is drawn confronting them--tall and superb, like
Victory's self; her warm golden eyes flashing under her black hair,
"earth flesh with sun fire," statuesque, searching the crowd with her
glance. And one and all dissolve before her silent splendour of reproof,
all save Aristophanes. She bids him welcome. "Glory to the Poet," she
cries. "Light, light, I hail it everywhere; no matter for the murk, that
never should have been such orb's associate." Aristophanes changes as he
sees her; a new man confronts her.
"So!" he smiled, "piercing to my thought at once,
You see myself? Balaustion's fixed regard
Can strip the proper Aristophanes
Of what our sophists, in their jargon, style
His accidents?"
He confesses her power to meet him in discourse, unfolds his views and
plans to her, and having contrasted himself with Euripides, bids her use
her thrice-refined refinement, her rosy strength, to match his argument.
She claims no equality with him, the consummate creator; but only, as a
woman, the love of all things lovable with which to meet him who has
degraded Comedy. She appeals to the high poet in the man, and finally
bids him honour the deep humanity in Euripides. To prove it, and to win
his accord, she reads the _Herakles_, the last of Euripides.
It is this long night of talk which Balaustion dictates to Euthycles as
she is sailing, day after day, from Athens back to Rhodes. The aspect of
sea and sky, as they sail, is kept before us, for Balaustion uses its
changes as illustrations, and the clear descriptions tell, even more
fully than before, how quick this woman was to observe natural beauty
and to correlate it with humanity. Here is one example. In order to
describe a change in the temper of Aristophanes from wild license to
momentary gravity, Balaustion seizes on a cloud-incident of the
voyage--Euthycles, she cries,
... "o'er the boat side, quick, what change,
Watch--in the water! But a second since,
It laughed a ripply spread of sun and sea,
Ray fused with wave, to never disunite.
Now, sudden, all the surface hard and black,
Lies a quenched light, dead motion: what the cause?
Look up, and lo, the menace of a cloud
Has solemnised the sparkling, spoiled the sport!
Just so, some overshadow, some new care
Stopped all the mirth and mocking on his face."
Her feeling for nature is as strong us her feeling for man, and both are
woven together.
Public-domain text, read in full here on John Shaqi.
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