The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
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The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
And then, with the loss of all these things of the soul which bear a
man's desires into the invisible and unreachable, he gained the world,
and success in it. All the powers of the mere Intellect, that
grey-haired deceiver whose name is Archimago, were his;--wit, mockery,
analytic force, keen reasoning on the visible, the Understanding's
absolute belief in itself; its close grasp on what it called facts, and
its clear application of knowledge for clear ends. God, too, had
vanished in this intellectual satisfaction; and in the temple of his
soul, where He had been worshipped, troops of shadows now knelt to the
man whose intellect, having grasped all knowledge, was content; and
hailed him as king.
The position he describes is like that Wordsworth states in the
_Prelude_ to have been his, when, after the vanishing of his aspirations
for man which followed the imperialistic fiasco of the French
Revolution, he found himself without love or hope, but with full power
to make an intellectual analysis of nature and of human nature, and was
destroyed thereby. It is the same position which Paracelsus attains and
which is followed by the same ruin. It is also, so far as its results
are concerned, the position of the Soul described by Tennyson in _The
Palace of Art_.
Love, emotion, God are shut out. Intellect and knowledge of the world's
work take their place. And the result is the slow corrosion of the soul
by pride. "I have nursed up energies," says Browning, "they will prey on
me." He feels this and breaks away from its death. "My heart must
worship," he cries. The "shadows" know this feeling is against them, and
they shout in answer:
"Thyself, thou art our king!"
But the end of that is misery. Therefore he begins to aspire again, but
still, not for the infinite of perfection beyond, but for a finite
perfection on, the earth.
"I will make every joy here my own," he cries, "and then I will die." "I
will have one rapture to fill all the soul." "All knowledge shall be
mine." It is the aspiration of Paracelsus. "I will live in the whole of
Beauty, and here it shall be mine." It is the aspiration of Aprile.
"Then, having this perfect human soul, master of all powers, I shall
break forth, at some great crisis in history, and lead the world." It is
the very aspiration of Sordello.
But when he tries for this, he finds failure at every point. Everywhere
he is limited; his soul demands what his body refuses to fulfil; he is
always baffled, falling short, chained down and maddened by
restrictions; unable to use what he conceives, to grasp as a tool what
he can reach in Thought; hating himself; imagining what might be, and
driven back from it in despair.
Even in his love for Pauline, in which he has skirted the infinite and
known that his soul cannot accept finality--he finds that in him which
is still unsatisfied.
What does this puzzle mean? "It means," he answers, "that this earth's
life is not my only sphere,
Public-domain text, read in full here on John Shaqi.
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