Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
He had once asked many militant members of his party what had led
them to Marxism, and nearly all of them had confessed that their
original impulse, as in his case, had been moral condemnation
of existing society. He had read the biographies of many
revolutionaries, and he had never yet discovered anyone who had
become a revolutionary out of scientific conviction or economic
calculation.
The pangs of unrequited love are partially responsible for Peter
Stirling’s dedication to success in politics in _The Honorable Peter
Stirling_, just as Frances Motherwell’s rejection by Vic Herres, in
_The Troubled Air_, causes her to denounce the Communist movement to
which he is devoted. Other motivating forces are just as conventional.
Such dissimilar characters as Fabrizio del Dongo in _The Charterhouse
of Parma_ and Jethro Bass in _Coniston_ are influenced by the career of
Napoleon. The will to power as a basic drive is more clearly put by Old
Gisors in _Man’s Fate_: “every man dreams of being god.” Mary McCarthy
in _The Oasis_ (1949) labels Will Taub’s motivation as basically this
when she says that “dreams of power and mastery, far more than its
fraternal aspect, were what had attracted him to communism....” In
some cases, like those of Silone’s heroes, the motivation is quite
complex. Don Nicola, in _A Handful of Blackberries_, says that Rocco
de Donatis “was the object of the clearest call from God that I have
ever witnessed.” Yet he had become a Communist and left the Church like
Pietro Spina in _Bread and Wine_ “because of the profound disgust with
which he reacted to the abyss which he perceived between its practical
actions and the words it preached.” Even Spina’s name--literally
“rock-thorn”--is symbolic of the conflict between these forces within
him. The carpenter, merchant, clergyman, or teacher may drift into
his vocation through family pressure or pursuit of the line of least
resistance. Almost always the politician enters his because of a
powerful driving force which is just as likely to be subconscious as
conscious.
=Moral Problems and Changing Values=
Public-domain text, read in full here on John Shaqi.
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