Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
In strong contrast to Madame de S---- in _Under Western Eyes_ is Sophia
Antonovna, an influential veteran revolutionary. A striking woman with
her gray-white hair and bright red blouse, she is “the true spirit
of destructive revolution.” Shawcross’s daughter-in-law Alice is a
direct descendant of Sophia Antonovna. Shortly after her return from
Moscow, a letter is published addressed by Zinoviev to the Communists
of Britain urging uprisings in the Army and Navy. Implying that Ramsay
MacDonald had been pushed into treaties with Russia by Communist
pressure, it helps cause the fall of his government. Noting the time of
Alice’s visit and the intensity of her devotion to Communism, Shawcross
suspects that she had helped Zinoviev to plan and write the letter.
Dos Passos’ militant women Communists such as Jane Sparling throw
themselves into Party activities almost more zealously than the men.
One of the women in _Yet Other Waters_ might be listed under political
pathology as well as here. She is Alice Robertson, a nymphomaniac and
frustrated novelist whose regard for her current lover does not prevent
her from reporting on him to the Party.
There is no Joan of Arc in these political novels, but in Hemingway’s
book one hears about the fiery La Pasionaria, and in _The Age of
Longing_ and _Nostromo_ the actions of two women evoke mention of the
name of Charlotte Corday. In Conrad’s novel Antonia Avellanos is as
fierce a patriot as her father Don José, who had nearly died in inhuman
captivity by dictator Guzmán Bento. Her fierce anger against General
Montero, a modern Bento, is one of the forces which brings cynical
dilettante Don Martin Decoud to throw himself into the struggle which
leads to his death. She suggests Charlotte Corday to him, as does
Hydie Anderson indirectly to Jules Commanche when she asks that Feyda
Nikitin be expelled from France. But Hydie’s patriotism does not have
the fire of Antonia’s. She has come to recognize Feyda’s brutality and
immorality, but the immediate cause of her action is his humiliation of
her which breaks off their affair. This gesture is the first positive
one she has made. Up to this point she has seemed about to apply for
membership in the Ravens Nevermore. Her disillusionment, like theirs,
has come from rejection of a strong and disciplined system which
answered all her questions and assuaged all her doubts. Her break with
the Roman Catholic Church has left her quite as adrift as Dellatre or
his companions. And when her gesture fails, she feels herself slipping
back into the old despondency, the craving for sureness, for a set of
positive values.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account