Set in Iowa in the 1870s, Hamlin Garland’s _A Spoil of Office_ (1897) deals with the role of farmers’ organizations in politics. Bradley Talcott, silent and clumsy but obviously a dark horse who will pay off handsomely, enters politics because it attracts him and because he wants to better himself “for her,” as Garland insists on referring to Ida Wilbur. Before they are married in a haze of romance and comradely devotion to the farmers’ interests, they work with the Grange and the Farmers’ Alliance. Free trade, national banks, and woman’s suffrage are discussed frequently, as well as the depredations of corporations. A sentimental and somewhat superficial book which substitutes clichés and catch-phrases for exploration in depth of causes and effects, _A Spoil of Office_ is valuable for its recital of the farmer’s early role in politics--if one can bear the surfeit of bucolic virtues and inarticulate devotion to a fair and exalted lady. =Winston Churchill and David Phillips: Bosses and Lobbies= In his “Afterword” to _Coniston_ (1906), Winston Churchill wrote that “many people of a certain New England state will recognize Jethro Bass.” But he denied that his book was a biography and added that “Jethro Bass was typical of his Era, and it is of the era that this book attempts to treat.” Beginning his story shortly after Andrew Jackson had entered the White House, Churchill traces Bass’s subsequent control of Coniston, Truro County, and then of the entire state (probably New Hampshire). His original lever is a sheaf of mortgages. Through this power over his mortgagers, he places his men (also mortgage holders) in office and builds his machine. By 1866 Bass has gained control of the state, which he runs from his room in the Pelican Hotel in the capital. He has transferred his devotion from his dead sweetheart, Cynthia Ware, to her child, Cynthia Wetherell. His chief source of income is the railroad lobby, which pays handsomely for the legislation it purchases through the state legislature from him. When Cynthia leaves him on learning his political methods, the saddened Bass begins to let his power slip away. The industrial and railroad interests start to combine while the Harwich bank stands by with mortgage money to help destroy his control. But Bass returns to fight one more battle when magnate Isaac Worthington has Cynthia dismissed from her school-teaching job and disinherits his son Bob for wanting to marry her. Mustering his power in the legislature and showering Worthington with adverse decisions from supreme court judges he has made, Bass blocks Worthington’s railroad consolidation bill. After compelling him to consent to the marriage and write conciliatory letters to the lovers, Bass lets the bill go through.