Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
In _Mr. Crewe’s Career_ (1908), set twenty years later, Churchill
described the power shift Bass had foreseen. The legislature is
now owned by Augustus Flint, Worthington’s former “seneschal” who
controls the Northeastern Railroad. His “captain-general” who rules
from Bass’s old room in the Pelican is railroad counsel Hilary Vane.
The star-crossed lovers in this novel are Victoria Flint and Austen
Vane. Austen fights the railroads despite his father and foresees
the day when a new generation, willing to assume its political
responsibilities, will turn out the railroad group. After a quarrel,
Hilary leaves Flint but agrees to stay on for the gubernatorial
nomination battle. As Flint watches Vane stalk from his study he sees
“the end of an era of fraud, of self-deception, of conditions that
violated every sacred principle of free government which men had shed
blood to obtain.” Out of loyalty to his father, Austen refuses to let
his name go before the convention, but he says that it does not matter,
for railroad power is doomed. The book closes with a purple passage in
which Austen and Victoria tell their love to each other and watch the
sunset over the river.
Harvey Sayler relates his rise to boss of the Republican Party in
David Graham Phillips’ _The Plum Tree_ (1905). His springboard is a
combine, financed by a dozen companies forming the Power Trust in
his own mid-western state, which will establish its own control over
the state legislature rather than dealing through middlemen such as
Bill Dominick, brutal saloonkeeper and politician. By placing his own
men in key positions and corporation-control statutes on the state
books, Sayler makes the combine completely his own. After using this
combination to ruin a rebellious “robber baron,” Sayler’s rule is
unquestioned. He becomes a president-maker, later allowing his creature
to return to political obscurity as the price for revolt against his
authority. A penitent widower at the book’s end, he is accepted by his
scrupulous childhood sweetheart.
=Jack London: Marxism v. Fascism, Early Phase=
Public-domain text, read in full here on John Shaqi.
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