They wrote up from Calcutta that they would like to have a look at Armour before making the final recommendation, and he left us, I remember, by the mail tonga of the third of June. He dropped into my office to say goodbye, but I was busy with the Member and could see nobody, so he left a card with ‘P.P.C.’ on it. I kept the card by accident, and I keep it still by design, for the sake of that inscription. Strobo had given up his hotel in Simla to start one in Calcutta. It never occurred to me that Armour might go to Strobo’s; but it was, of course, the natural thing for him to do, especially as Strobo happened to be in Calcutta himself at the time. He went and stayed with Strobo, and every day he and the Signor, clad in bath-towels, lay in closed rooms under punkahs and had iced drinks in the long tumblers of the East, and smoked and talked away the burden of the hours. Strobo was in Calcutta to meet a friend, an Austrian, who was shortly leaving India in the Messagerie Maritimes steamer Dupleix after agreeable wanderings disguised as a fakir in Tibet; and to this friend was attached, in what capacity I never thought well to inquire, a lady who was a Pole, and played and sang as well as Strobo fiddled. I believe they dined together every night, this precious quartet, and exchanged in various tongues their impressions of India under British control. ‘A houri in stays,’ the lady who was a Pole described it. I believe she herself was a houri without them. And at midnight, when the south wind was cool and strong from the river, Strobo and Armour would walk up Chowringhee Road and look at the red brick School of Art from the outside in the light of the street lamps, as a preliminary to our friend’s final acceptance of the task of superintending it from within. We in Simla, of course, knew nothing of all this at the time; the details leaked out later when Strobo came up again. I began to feel some joyful anxiety when in a letter dated a week after Armour’s arrival in Calcutta, the Director of Public Instruction wrote to inquire whether he had yet left Simla; but the sweet blow did not fall with any precision or certainty until the newspaper arrived containing his name immediately under that of Herr Vanrig and Mme. Dansky in the list of passengers who had sailed per S.S. Dupleix on the fifteenth of June for Colombo. There it was, ‘I. Armour,’ as significant as ever to two persons intimately concerned with it, but no longer a wrapping of mystery, rather a radiating centre of light. Its power of illumination was such that it tried my eyes. I closed them to recall the outlines of the School of Art--it had been built in a fit of economy--and the headings of the last Director’s report, which I had kindly sent after Armour to Calcutta. Perhaps that had been the last straw.