The Poor Scholar: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
General
The Poor Scholar: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
To this there were two modes of access: one by a paved bridle-way, or
boreen, that ran up directly before the door--the other by a green lane,
that diverged from the boreen about a furlong below the house. He took
the latter, certain that the family could not notice his approach, nor
hear the noise of his horse's footsteps, until he could arrive at the
very threshold.. On dismounting, he felt that he could scarcely walk. He
approached the door, however, as steadily as he could. He entered--and
the family, who had just finished their supper, rose up, as a mark of
their respect to the stranger.
“Is this,” he inquired, “the house in which Dominick M'Evoy lives?”
“That's my name, sir,” replied Dominick. “The family, I trust,
are--all--well? I have been desired--but--no--no--I cannot--I
cannot--father!--mother!
“It's him!” shrieked the mother--“Its himself!--Jemmy”
“Jemmy!--Jemmy!” shouted the lather, with a cry of joy which might be
heard far beyond the house.
“Jemmy!--our poor Jemmy!--Jemmy!!” exclaimed his brothers and sisters.
“Asy, childhre,” said the father--“asy; let the mother to him--let her
to him. Who has the right that she has? Vara, asthore--Vara, think of
yourself. God of heaven! what is comin' over her?--Her brain's turned!”
“Father, don't remove her,” said the son. “Leave her arms where they
are: it's long since they encircled my neck before. Often--often would I
have given the wealth of the universe to be encircled in my blessed and
beloved mother's arms! Yes, yes!--Weep, my father--weep, each of
you. You see those tears:--consider them as a proof that I have never
forgotten you! Beloved mother! recollect yourself: she knows me not--her
eyes wander!--I fear the shock has been too much for her. Place a chair
at the door, and I will bring her to the air.”
After considerable effort, the mother's faculties were restored so far
as to be merely conscious that our hero was her son. She had not yet
shed a tear, but now she surveyed his countenance, smiled and named
him, placed her hands upon him, and examined his dress with a singular
blending of conflicting emotions, but still without being thoroughly
collected.
“I will speak to her,” said Jemmy, “in Irish, it will go directly to her
heart:--_Mhair, avourneen, tha ma, laht, anish!_--Mother, my darling, I
am with you at last.”
“_Shamus, aroon, vick machree, wuil thu Ihum? wuil thu--wuil thu
Ihum?_--Jemmy, my beloved, son of my heart, are you with me?--are
you--are you with me?”
“_Ish maheen a tha in, a vair dheelish machree_--It is I who am with
you, beloved mother of my heart!”
She smiled again--but only for a moment. She looked at him, laid his
head upon her bosom, bedewed his face with her tears, and muttered out,
in a kind of sweet, musical cadence, the Irish cry of joy.
Public-domain text, read in full here on John Shaqi.
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