The Popular Science Monthly, September, 1900: Vol. 57, May, 1900 to October, 1900Various
Science
The Popular Science Monthly, September, 1900: Vol. 57, May, 1900 to October, 1900
Various
Science -- Periodicals; Technology -- Periodicals
It is true that there are themes that were new a thousand years ago
and will be new a thousand years hence, but a poet to achieve distinct
success must strike a note not only individual, but one closely attuned
to the thought and feeling of his time. Milton we know rather as a
voice of Puritan England than as a poetic genius. We call Wordsworth
a great poet and are conscious as we do so, that he deserves the
distinction rather because he interpreted to men a new phase of thought
and feeling, than because he knew how to make his verse wholly pure
poetry rather than bald prose. Even poets of such spiritual elevation
as Shelley and Coleridge caught the feeling and the tone of their time,
and the revolutionary spirit and the love of nature that was molding
Wordsworth finds a distinct voice in them as well. Even Burns, isolated
as he was, is not altogether an anomaly, and no one need be told that
Byron was in an extreme degree the voice of the reactionary spirit of
post-revolutionary Europe. William Morris, retelling old legends of
Greek and Saxon, none the less informed his verse with the humanitarian
and æsthetic spirit of modern life, and applied his sense of the
beautiful to the problems of nineteenth century existence. Swinburne,
too, is democratic and in his vision the world moves on to new glories
even though the old be not wholly faded from the earth.
Robert Browning is first and fundamentally a painter of character, a
student of the more subtle moods that dominate the individual, and
toward this the reader of English fiction would hardly fail to see
that the development of literature has steadily been advancing for
two centuries. Even Mrs. Browning through the somewhat morbid and
mawkish sentimentality and the overstrained art of “Aurora Leigh,” in
the vague and uncertain way of a woman whose contact with reality
was necessarily slight, catches at the problems of nineteenth century
feeling. Tennyson, as all men know, gave us poetry that was inwrought
of the latest word of science, the last aspiration of religious hope,
the newest sure conclusion in the field of social endeavor for the
betterment of man.
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