Elsie Scott had let her work fall on her knees, and her hands on her work, and was looking out of the wide, low window of her room, which was on one of the ground floors of the village street. Through a gap in the household shrubbery of fuchsias and myrtles filling the window-sill, one passing on the foot pavement might get a momentary glimpse of her pale face, lighted up with two blue eyes, over which some inward trouble had spread a faint, gauze-like haziness. But almost before her thoughts had had time to wander back to this trouble, a shout of children’s voices, at the other end of the street, reached her ear. She listened a moment. A shadow of displeasure and pain crossed her countenance; and rising hastily, she betook herself to an inner apartment, and closed the door behind her. Meantime the sounds drew nearer; and by and by an old man, whose strange appearance and dress showed that he had little capacity either for good or evil, passed the window. His clothes were comfortable enough in quality and condition, for they were the annual gift of a benevolent lady in the neighbourhood; but, being made to accommodate his taste, both known and traditional, they were somewhat peculiar in cut and adornment. Both coat and trousers were of a dark grey cloth; but the former, which, in its shape, partook of the military, had a straight collar of yellow, and narrow cuffs of the same; while upon both sleeves, about the place where a corporal wears his stripes, was expressed, in the same yellow cloth, a somewhat singular device. It was as close an imitation of a bell, with its tongue hanging out of its mouth, as the tailor’s skill could produce from a single piece of cloth. The origin of the military cut of his coat was well known. His preference for it arose in the time of the wars of the first Napoleon, when the threatened invasion of the country caused the organisation of many volunteer regiments. The martial show and exercises captivated the poor man’s fancy; and from that time forward nothing pleased his vanity, and consequently conciliated his goodwill more, than to style him by his favourite title--the _Colonel_. But the badge on his arm had a deeper origin, which will be partially manifest in the course of the story--if story it can be called. It was, indeed, the baptism of the fool, the outward and visible sign of his relation to the infinite and unseen. His countenance, however, although the features were not of any peculiarly low or animal type, showed no corresponding sign of the consciousness of such a relation, being as vacant as human countenance could well be.