The Portsmouth Road and Its Tributaries: To-Day and in Days of OldHarper, Charles G. (Charles George)
History
The Portsmouth Road and Its Tributaries: To-Day and in Days of Old
Harper, Charles G. (Charles George)
England -- Description and travel; England -- Social life and customs; Portsmouth Road (England)
To-day one obtains too little historic colour in the streets of the old
town. The "Blue Posts," where the midshipmen stayed and joked and
quarrelled, was burned down in 1870, and the "Fountain" is now a Home for
Sailors, conducted upon strictly non-alcoholic lines, and Broad Street,
which was at one time so very, very lively a place, has declined from the
riotous days of yore into a more or less sedate old age. The inns with
which it abounded are still there, but how altered their custom, their use
and wont, from the hard-drinking, hard-swearing, hard-fighting days of
old!
One may look back upon those old days with regret for a vanished
picturesqueness and yet not wish them back; may know that the sailor who
drinks cocoa and banks his wages in the Post-office Savings Bank is better
off and immeasurably happier than his ancestor who, if he survived to
receive any pay at all, squandered it instantly upon all conceivable
kinds of drink and debauchery, and yet can see that his was by far the
most interesting figure. It is the same with the ships of the navy. No one
will contend that life was healthier upon the old wooden line-of-battle
ships than it is on the modern ironclads of the fleet; not a single voice
could be raised in favour of the dim and dirty orlop-decks of the old
men-o'-war, in comparison with the light, airy, and roomy quarters on
board our battle-ships of to-day; and yet there is scarce an Englishman
who does not heartily regret the old three-deckers that rode the waves so
gallantly, whose tier over tier of guns rose high above the waves and made
a braver show than ever the "iron pots" of modern times can do.
[Sidenote: _OLD AND NEW_]
The old-time aspect of Portsmouth is gone for ever. An almost complete
transformation has taken place in appearance, in thought, and manner in
little over a century, and where the body of Jack the Painter hung, high
as Haman, from a lofty gallows on Blockhouse Beach, no criminals swing
to-day. Even the "cat," that instrument of discipline, too barbarous to be
honoured even by immemorial usage, no longer flays the backs of A.B.'s,
and is relegated to the cold shades of a museum, to rest beside such
long-out-of-date instruments of torture as the branks and the
thumb-screws.
Public-domain text, read in full here on John Shaqi.
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