This “fairy theory” of marriage is really the maternal or _beenah_ form: such a marriage as was made by Jacob and is still common among all maternal peoples. The inheritance passes through the daughters; the suitors gain their position by some deed of valour or by service done for the bride’s family; sometimes it is the mother who sets the task, more often it is the father, while, in some cases, the girl herself imposes the conditions of marriage. It is possible to trace a development in these stories. We can see the growth of purchase-marriage in the service demanded by the parents of the bride, this taking the place of the earlier custom of the bridegroom proving his fitness by some test of strength. Again, those stories in which the arrangement of the marriage remains with the mother or with the girl, and not with the father, must be regarded as the older versions. This change appears also in the conditions of inheritance; in some cases the kingdom passes at once with the bride, in others the half of the kingdom is the marriage portion, while in the later stories the full authority to rule comes only after the death of the king. But always sooner or later the daughter of the king conveys the kingdom to her husband. The sons of the king do not inherit; they are of much less importance than the daughters; they are sent forth to seek their own fortunes. This is the law where the inheritance passes through the daughter. This law of female inheritance must at one time have been universal. We are brought, indeed, constantly back to that opinion--so amply evidenced by these folk-relics. In the old West country ballad “The Golden Vanity” or “The Lowland’s Low,” the boy who saves the ship from the Spanish pirate galleon is promised as a reward “silver and gold, with the skipper’s pretty little daughter who lives upon the shore.” Similarly in the well-known folksong “The Farmer’s Boy,” the lad who comes weary and lame to the farmer’s door, seeking work, eventually marries the farmer’s daughter and inherits the farm. Again, Dick Whittington, the poor country lad, who faithfully serves his master in London, marries his employer’s daughter. This theme is very frequently found in ballads, romances, and dramas; in all cases the way to fortune for the lover is through marriage--the daughter carries the inheritance.