The Posthumous Works of Thomas De Quincey, Vol. 1De Quincey, Thomas
Philosophy
The Posthumous Works of Thomas De Quincey, Vol. 1
De Quincey, Thomas
English essays
_Morals._--Even ordinary morals could have little practical weight with
the ancients: witness the Roman juries and Roman trials. Had there been
any sense of justice predominant, could Cicero have hoped to prevail by
such defences as that of Milo and fifty-six others, where the argument
is merely fanciful--such a _Hein-gespinst_ as might be applauded with
'very good!' 'bravo!' in any mock trial like that silly one devised by
Dean Swift.
The slowness and obtuseness of the Romans to pathos appears _a priori_
in their amphitheatre, and its tendency to put out the theatre;
secondly, _a posteriori_, in the fact that their theatre was put out;
and also, _a posteriori_, in the coarseness of their sensibilities to
real distresses unless costumed and made sensible as well as
intelligible. The grossness of this demand, which proceeded even so far
as pinching to elicit a cry, is beyond easy credit to men of their time.
The narrow range of the Greek intellect, always revolving through seven
or eight centuries about a few memorable examples--from the Life of
Themistocles to Zeno or Demosthenes.
The Grecian glories of every kind seem sociable and affable, courting
sympathy. The Jewish seem malignantly [Greek: autarkeis].
But just as Paganism respected only rights of action, possession, etc.,
Christianity respects a far higher scale of claims, viz., as to the
wounds to feelings, to deep injury, though not grounded in anything
measurable or expoundable by external results. Man! you have said that
which you were too proud and obstinate to unsay, which has lacerated
some heart for thirty years that had perhaps secretly and faithfully
served you and yours. Christianity lays hold on that as a point of
conscience, if not of honour, to make _amends_, if in no other way, by
remorse.
As to the tears of Oedipus in the crises. I am compelled to believe that
Sophocles erred as regarded nature; for in cases so transcendent as this
Greek nature and English nature could not differ. In the great agony on
Mount Oeta, Hercules points the pity of his son Hyllus to the extremity
of torment besieging him on the humiliating evidence of the tears which
they extorted from him. 'Pity me,' says he, 'that weep with sobs like a
girl: a thing that no one could have charged upon the man' (pointing to
himself); 'but ever without a groan I followed out to the end my
calamities.' Now, on the contrary, on the words of the oracle, that
beckoned away with impatient sounds Oedipus from his dear sublime
Antigone, Oedipus is made to weep.
Public-domain text, read in full here on John Shaqi.
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