He fumbled in the niche beside his seat, and drew out a parcel done up
in waxcloth. Evidently a pot of some sort, thought George, beginning to
print boldly, as one of his profession should, with the slant-cut
native pen. The moonlight shone full on the potter seated at his wheel,
and the young Englishman pencilling Rose Tweedie's name. What was that
rising on the stillness of the night? A murmur from the hut? George
could not say for certain, as the old man set his wheel a-humming
instantly, but once more the feeling of injustice, the flash of pity
came to disturb his self-complacency. The feeling lasted longer this
time, and as he walked home his thoughts were full of that uncertainty
which is so hateful to the young. The Mori gate showed black and white
in the moonshine; a clash of silver bells rose from the shadows as he
passed; a pomegranate blossom fell at his feet. He took a step aside to
crush it fiercely, passionately; it lay between that and picking it up
he felt uneasily. Life here, at Hodinuggur, was so simple, so confusing
in its simplicity. To live and to die. Was that all?
He spent the remainder of the evening in writing to Mrs. Boynton,
putting his heart into reserved, half-jesting hints at his own puzzles.
And as he wrote, the potter, standing at the door of his hut, was
listening to a murmur coming from the darkness within.
'It is sent, dear heart! She has it. No one shall know,' he answered
softly. Then there was silence for a while. But only for a while. The
murmur came again and again through the hot night, to be stilled by the
same reply.
Public-domain text, read in full here on John Shaqi.
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