The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomyDick, Thomas
Science
The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomy
Dick, Thomas
Astronomical instruments; Astronomy; Telescopes
When a direct spectrum is thrown on colours darker than itself, it
mixes with them: as the yellow spectrum of the setting sun, thrown on
the green grass, becomes a greener yellow. But when a direct spectrum
is thrown on colours brighter than itself, it becomes instantly changed
into the reverse spectrum, which mixes with those brighter colours.
Thus the yellow spectrum of the setting sun thrown on the luminous
sky, becomes blue, and changes with the colour or brightness of the
clouds on which it appears. The red part of light being capable of
struggling through thick and resisting mediums which intercept all
other colours--is likewise the cause why the sun appears red when seen
through a fog,--why distant light, though transmitted through blue
or green glass, appears red--why lamps at a distance, seen through
the smoke of a long street, are red, while those that are near, are
white. To the same cause it is owing that a diver at the bottom of the
sea is surrounded with the red light which has pierced through the
superincumbent fluid, and that the blue rays are reflected from the
_surface_ of the ocean. Hence, Dr. Halley informs us that, when he was
in a diving bell, at the bottom of the sea, his hand always appeared
red in the water.
The _blue_ rays, as already noticed, being unable to resist the
obstructions they meet with in their course through the atmosphere, are
either reflected or absorbed in their passage. It is to this cause,
that most philosophers ascribe _the blue colour of the sky_, the
faintness and obscurity of distant objects, and the bright azure which
tinges the mountains of a distant landscape.
SECT. 3.--PHENOMENA OF THE RAINBOW.
Since the rays of light are found to be decomposed by refracting
surfaces, and reflected in an infinite variety of modes and shades
of colour, we need not be surprised at the changes produced in any
scene or object by the intervention of another, and by the numerous
modifications of which the primary colours of nature are susceptible.
The vivid colours which gild the rising and the setting sun, must
necessarily differ from those which adorn its noon-day splendour.
Variety of atmospheric scenery will thus necessarily be produced,
greater than the most lively fancy can well imagine. The clouds will
sometimes assume the most fantastic forms, and at other times will be
irradiated with beams of light, or, covered with the darkest hues, will
assume a lowering aspect, prognostive of the thunder’s roar and the
lightning’s flash--all in accordance with the different rays that are
reflected to our eyes, or the quantity absorbed by the vapours which
float in the atmosphere.
Public-domain text, read in full here on John Shaqi.
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