The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomyDick, Thomas
Science
The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomy
Dick, Thomas
Astronomical instruments; Astronomy; Telescopes
In short, without colour, we could have had no books nor writings:
we could neither have corresponded with our friends by letters, nor
have known any thing with certainty, of the events which happened in
former ages. No written revelation of the will of God, and of his
character, such as we now enjoy, could have been handed down to us
from remote periods and generations. The discoveries of science, and
the improvements of art, would have remained unrecorded. Universal
ignorance would have prevailed throughout the world, and the human mind
have remained in a state of demoralization and debasement. All these,
and many other inconveniences and evils would have inevitably followed,
had not God painted the rays of light with a diversity of colours,
And hence we may learn, that the most important scenes and events in
the universe, may depend upon the existence of a single principle in
nature, and even upon the most minute circumstances, which we may be
apt to overlook, in the arrangements of the material world.
In the existing state of things in the visible creation, we cannot but
admire the Wisdom and Beneficence of the Deity, in thus enabling us
to distinguish objects by so easy and expeditious a mode as _that of
colour_, which in a moment, discriminates every object and its several
relations. We rise in the morning to our respective employments,
and our food, our drink, our tools, our books, and whatever is
requisite for our comfort, are at once discriminated. Without the
least hesitation or uncertainty, and without any perplexing process
of reasoning, we can lay our hands on whatever articles we require.
Colour clothes every object with its peculiar livery, and infallibly
directs the hand in its movements, and the eye in its surveys and
contemplations. But, this is not the only end which the Divine
Being had in view, in impressing on the rays of light a diversity
of colours. It is evident, that he likewise intended to minister to
our _pleasures_, as well as to our wants. To every man of taste, and
almost to every human being, the combination of colours in flowers, the
delicate tints with which they are painted, the diversified shades of
green with which the hills and dales, the mountains and the vales are
arrayed; and that beautiful variety which appears in a bright summer
day, on all the objects of this lower creation--are sources of the
purest enjoyment and delight. It is colour, too, as well as magnitude,
that adds to the _sublimity_ of objects. Were the canopy of heaven of
one uniform hue, it would fail in producing those lofty conceptions,
and those delightful and transporting emotions, which a contemplation
of its august scenery is calculated to inspire. Colours are likewise of
considerable utility in the intercourse of general society. They serve
both for ornaments, and for distinguishing the different ranks and
conditions of the community: they add to the beauty and gracefulness
of our furniture and clothing.
Public-domain text, read in full here on John Shaqi.
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