The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomyDick, Thomas
Science
The Practical Astronomer: Comprising illustrations of light and colours--practical descriptions of all kinds of telescopes--the use of the equatorial-transit--circular, and other astronomical instruments, a particular account of the Earl of Rosse's large telescopes, and other topics connected with astronomy
Dick, Thomas
Astronomical instruments; Astronomy; Telescopes
Some may be disposed to consider it as an imperfection in this picture,
that all the objects appear in an _inverted_ position; as they must
necessarily do, according to what we formerly stated respecting the
properties of convex lenses, (p. 72). There are, however, different
modes of viewing the picture as if it were erect. For, if we stand
before the picture, and hold a common mirror against our breast at
an acute angle with the picture, and look down upon it, we shall see
all the images of the objects as if restored to their erect position;
and by the reflection of the mirror, the picture will receive such a
lustre as will make it still more delightful. Or, if a large concave
mirror were placed before the picture at such a distance, that its
image may appear before the mirror, it will then appear erect and
pendulous in the air in the front of the mirror. Or, if the image be
received on a frame of paper, we may stand behind the frame, with our
face towards the window, and look down upon the objects, when they will
appear as if erect.
The experiment of the Camera Obscura may serve to explain and
illustrate the nature of a common refracting telescope. Let us suppose,
that the lens in the window-shutter represents the object-glass of a
refracting telescope. This glass forms an image in its focus, which
is in every respect an exact picture or representation of the objects
before it; and consequently the same idea is formed in the mind, of the
nature, form, magnitude, and colour of the object--whether the eye at
the centre of the glass views the object itself, or the image formed in
its focus. For, as formerly stated, the object and its image are both
seen under the same angles by the eye placed at the centre of the lens.
Without such an image as is formed in the camera obscura--depicted
either in the tube of a telescope or in the eye itself--no telescope
could possibly be formed. If we now suppose that, behind the image
formed in the dark chamber, we apply a convex lens of a short focal
distance to view that image, then the image will be seen distinctly,
in the same manner as we view common objects, such as a leaf or a
flower, with a magnifying glass; consequently, the object itself will
be seen distinct and magnified. And, as the same image is nearer to one
lens than the other, it will subtend a larger angle at the nearest
lens, and of course, will appear larger than through the other, and
consequently the object will be seen magnified in proportion. For
example, let us suppose the lens in the camera obscura, or the object
lens of a telescope, to be five feet, or sixty inches focal distance,
at this distance from the glass, an image of the distant objects
opposite to it will be formed. If now, we place a small lens two inches
focal distance beyond this point, or five feet two inches from the
object-glass, the objects, when viewed through the small lens, will
appear considerably magnified, and apparently much nearer than to the
naked eye.
Public-domain text, read in full here on John Shaqi.
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