English literature; Shakespeare, William, 1564-1616 -- Appreciation
The character of old Falstaff, even with all his faults, gives me more
consolation than the most studied efforts of wisdom: I here behold an
agreeable old fellow, forgetting age, and showing me the way to be
young at sixty-five. Sure I am well able to be as merry, though not so
comical, as he. Is it not in my power to have, though not so much wit,
at least as much vivacity?—Age, care, wisdom, reflection, begone!—I
give you to the winds. Let’s have t’other bottle: here’s to the memory
of Shakespeare, Falstaff, and all the merry men of Eastcheap.
Such were the reflections that naturally arose while I sat at the
Boar’s-head tavern, still kept at Eastcheap. Here, by a pleasant fire,
in the very room where old Sir John Falstaff cracked his jokes, in the
very chair which was sometimes honoured by Prince Henry, and sometimes
polluted by his immoral merry companions, I sat and ruminated on the
follies of youth; wished to be young again; but was resolved to make
the best of life while it lasted, and now and then compared past and
present times together.
“A Reverie at the Boar’s Head Tavern in Eastcheap.”
_Collected Essays_, 1765.
GEORGE, LORD LYTTELTON, 1765
(1709-1773)
“_Boileau—Pope._”
BOILEAU
. . . The office of an _editor_ was below you, and your mind was unfit
for the drudgery it requires. Would anybody think of employing a
Raphael to clean an old picture?
POPE
The principal cause of my undertaking that task was zeal for the honour
of Shakespeare: and if you knew all his beauties as well as I, you
would not wonder at this zeal. No other author had ever so copious,
so bold, so _creative_ an imagination, with so perfect a knowledge of
the passions, the humours, and sentiments of mankind. He painted all
characters, from kings down to peasants, with equal truth and equal
force. If human nature were destroyed, and no monument were left of it
except his works, other beings might know _what man was_ from those
writings.
BOILEAU
You say he painted all characters, from kings down to peasants, with
equal truth and equal force. I cannot deny that he did so; but I wish
he had not jumbled those characters together, in the composition of his
pictures, as he has frequently done.
POPE
The strange mixture of tragedy, comedy, and farce in the same
play, nay, sometimes in the same scene, I acknowledge to be quite
inexcusable. But this was the taste of the times when Shakespeare wrote.
BOILEAU
A great genius ought to guide, not servilely follow, the taste of his
contemporaries.
POPE
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