English literature; Shakespeare, William, 1564-1616 -- Appreciation
While here to Shakespeare Garrick pays
His tributary thanks and praise;
Invokes the animated stone,
To make the poet’s mind his own;
That he each character may trace
With humour, dignity, and grace;
And mark, unerring mark, to men,
The rich creation of his pen:
Preferr’d the prayer—the marble god
Methinks I see, assenting, nod,
And, pointing to his laurell’d brow,
Cry—“Half this wreath to you I owe:
Lost to the stage, and lost to fame;
Murder’d my scenes, scarce known my name;
Sunk in oblivion and disgrace
Among the common scribbling race,
Unnotic’d long thy Shakespeare lay,
To dulness and to time a prey:
But now I rise, I breathe, I live
In you—my representative!
Again the hero’s breast I fire,
Again the tender sigh inspire;
Each side, again, with laughter shake,
And teach the villain-heart to quake;
All this, my son! again I do—
I?—No, my son!—’Tis I, and you.”
While thus the grateful statue speaks,
A blush o’erspreads the suppliant’s cheeks—
“What!—Half this wreath, wit’s mighty chief?—
O grant,” he cries, “one single leaf;
That far o’erpays his humble merit,
Who’s but the organ of thy spirit.”
Phoebus the generous contest heard—
When thus the god address’d the bard:
“Here, take this laurel from my brow,
On him your mortal wreath bestow;—
Each matchless, each the palm shall bear,
In heav’n the bard, on earth the play’r.”
“Verses dropped in Mr. Garrick’s Temple of
Shakespeare.” _Poems and Miscellaneous
Compositions_, 1790.
Garrick had in his garden at Hampton a temple dedicated to
Shakespeare, containing a statue of the poet by Roubiliac.
WILLIAM COMBE, 1812
(1741-1823)
“_Dr. Syntax in the Pit of Covent Garden Theatre._”
CRITIC.—
“Oh, what a _Falstaff_! Oh, how fine!
Oh, ’tis great acting—’tis divine!”
SYNTAX.—
“His acting’s great—that I can tell ye;
For all the acting’s in his belly.”
CRITIC.—
“But, with due def’rence to your joke,
A truer word I never spoke
Than when I say—you’ve never been
The witness of a finer scene.
Th’ admir’d actor whom you see
Plays the fat knight most charmingly:
’Tis in this part he doth excel;
_Quin_ never played it half so well.”
SYNTAX.—
Public-domain text, read in full here on John Shaqi.
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