The Praise of Shakespeare: An English Anthology — John Shaqi
The Praise of Shakespeare: An English Anthology
General
The Praise of Shakespeare: An English Anthology
English literature; Shakespeare, William, 1564-1616 -- Appreciation
The human race had now reached a stage of progress so far beyond what
the wisest and wittiest men of former ages had ever dreamed of, that
it would have been a manifest absurdity to allow the earth to be any
longer encumbered with their poor achievements in the literary line.
Accordingly, a thorough and searching investigation had swept the
booksellers’ shops, hawkers’ stands, public and private libraries, and
even the little bookshelf by the country fireside, and had brought the
world’s entire mass of printed paper, bound or in sheets, to swell
the already mountain-bulk of our illustrious bonfire. Thick, heavy
folios, containing the labours of lexicographers, commentators, and
encyclopedists, were flung in, and, falling among the embers with a
leaden thump, smouldered away to ashes, like rotten wood. The small,
richly-gilt French tomes of the last age, with the hundred volumes of
Voltaire among them, went off in a brilliant shower of sparkles, and
little jets of flame; while the current literature of the same nation
burnt red and blue, and threw an infernal light over the visages of
the spectators, converting them all to the aspect of parti-coloured
fiends. A collection of German stories emitted a scent of brimstone.
The English standard authors made excellent fuel, generally exhibiting
the properties of sound oak logs. Milton’s works, in particular, sent
up a powerful blaze, gradually reddening into a coal, which promised
to endure longer than almost any other material of the pile. From
Shakespeare there gushed a flame of such marvellous splendour, that men
shaded their eyes as against the sun’s meridian glory; nor even when
the works of his own elucidators were flung upon him, did he cease to
flash forth a dazzling radiance beneath the ponderous heap. It is my
belief that he is still blazing as fervidly as ever.
“Could a poet but light a lamp at that glorious flame,” remarked I, “he
might then consume the midnight oil to some good purpose.”
“That is the very thing which modern poets have been too apt to do,
or at least to attempt,” answered a critic. “The chief benefit to be
expected from this conflagration of past literature undoubtedly is,
that writers will henceforth be compelled to light their lamps at the
sun or stars.”
_Mosses from an Old Manse_: “Earth’s Holocaust,”
ii. 146-7.
WALTER SAVAGE LANDOR, 1846
(1775-1864)
“_Shakespeare and Bacon._”
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