Weever, John. _Ad Gulielmum Shakespeare_, from _Epigrammes in the Oldest Cut and Newest Fashion_, 37. West, Benjamin, 148. Westminster Abbey, Shakespeare’s Monument in, 225. Whitehead, Paul. _Verses dropped in Mr. Garrick’s Temple of Shakespeare_, 30. Whitehead, William. His Appreciation of Shakespeare, 24. _A Charge to the Poets_, 109. _An Hymn to the Nymph of Bristol_, 24. Whitman, Walt. On Shakespeare’s unacceptability to America and Democracy, 210. _Poetry to-day in America_, 211. Willis, Judge William. _The Shakespeare-Bacon Controversy_, 326. Wilson, John. _A Few Words on Shakespeare_, from _Essays, Critical and Imaginative_, 140. _Winter’s Tale, The_, 145, 214. Dryden’s criticism of, 68. Wiseman, Cardinal. _William Shakespeare_, 179, 263. _Witt’s Recreations_, 219. Wordsworth, Bishop Charles. _On Shakespeare’s Knowledge and Use of the Bible_, 176. Wordsworth, Christopher. _Memoirs of William Wordsworth_, 159, 256. Wordsworth, William. His influence on the poetry of the nineteenth century, 27. _Memoirs._ By Christopher Wordsworth, 159, 256. _Poems._ Edited by Matthew Arnold, 196. On Shakespeare and Goethe, 159. His Sonnet, “It is not to be thought of,” 29, 127. _Wordsworth, Shelley, Keats, and other Essays._ By David Masson, 168. _Worthies of England._ By Thomas Fuller, 61. Wycherley, William, 12. Young, Edward. _Conjectures on Original Composition_, 104, 224. _Epistle to Lord Lansdowne_, 83. _Yorick’s Sentimental Journey through France and Italy._ By Laurence Sterne, 295. _Printed by_ MORRISON & GIBB LIMITED, _Edinburgh_. TRANSCRIBER’S NOTES The following corrections have been made to the original text: Page vii: but he pays scant attention[original has “attentien”] to the nineteenth Page 25: his paper kite to fly.”[quotation mark missing in original] Page 36: RICHARD BARNFIELD[original has “BARNFEILD”], 1598 Page 78: p. iii.[period missing in original] prefixed to _Works of Shakespeare_ Page 105: Which his own genius only could acquire.”[quotation mark missing in original] Page 109: dead letter Shakespeare’s noblest scene.[original has a comma] Page 112: adulatory verses written on the same occasion.[letters “sion.” missing in original]—KEATE. Page 117: He ceases to be Euripides; he is Medea[original has “Meda”] Page 123: “[original has a single quote]The British Eagle,” _i.e._ Milton. Page 129: mistaken the form for the essence[original has “esssence”] Page 129: as comprehensive and versatile,[comma missing in original] as intense Page 151: the emblazonries upon Shakespeare’s[original has “Shakepeare’s”] shield. Page 151: seems the mere rebound of the previous[original has “precious”] speech