+V.+ In the final scene we behold +a convicted, self-abased, and penitent man pardoned and consecrated to the service of God+ (ver. 6, 7). What are we taught by this wondrous representation? That for guilty men there is pardon, that for unholy men there is purification, and that lips once unclean, but not sanctified, may join in the hymns of seraphim, and, without dread, approach to God, and celebrate the glories even of His holiness. This we are taught, but not this only; not merely is the fact, but the manner of it, brought before us. See, then, the means. The instrument of purification is fire; but not any kind of fire, fire from any place; it is fire from the altar, the altar where atonement is made for sin; fire, therefore, both of Divine origin, and coming to us through the great Propitiation. We can be at no loss for an interpretation of the symbols thus employed. Our altar is the cross; the propitiatory sacrifice, the spotless Lamb of God; by the merit of His death, and the baptizing fire of His Spirit, and the guilty and polluted pardoned and sanctified to God.--_Richard Watson: Works,_ vol. iv. pp. 143-153. FOOTNOTES: [1] God is invisible; yet in that heavenly world in which He has His special and eternal residence He manifests himself in ineffable glory, dwelling in what the Scriptures call "the light which no man can approach unto." Of that heavenly world, the tabernacle and temple were splendid emblems; they were "patterns of heavenly things." But why the astonishing fact, that when sinful creatures created a tent in the wilderness, and a temple subsequently at Jerusalem, the visible glory of God descended, taking possession of the place? God thus came down from heaven to earth, with all these impressive circumstances of visible majesty, to teach His creatures that He was awfully glorious, and fearful even in His praises; that even in His acts of grace His holiness is solemnly declared; and thus to show with what reverence and purity man ought to approach to Him. So when Isaiah was to be appointed to an office in which he was to fear God, and not the face of man, and which, to give it weight and authority, required an entire sanctity, a scene similar to that which had been displayed in the temple at its consecration, but greatly heightened and magnified, was disclosed to him in vision. The space of this visionary temple appears to have been far more ample than that of the one at Jerusalem; the throne was greatly elevated, it was "high, and lifted up;" the "train," the "skirts" (as in the margin) of the cloud of the Divine presence filled the whole place; instead of the carved representations of the cherubim of glory fixed on the mercy-seat, the prophet beholds the cherubim themselves, living, and all ardour, activity, and adoration; they are not represented in the vision as the