Feminist fiction; Women -- Social and moral questions -- Fiction; Young women -- Fiction
She awoke several times that night, and each time she gave a fleeting
thought to the letter. She seemed to see it before her eyes--a purple
eidolon, a parallelogram in shape. It flickered up and down like an
electric sign. When morning came she was quite surprised to find the
letter was existent and stationary. She read it again, and she wished
tremendously that she might answer it. It occurred to her that in a way
she never had had any fun. She had been persistently earnest,
passionately honest, absurdly grim. Now to answer that letter would come
under the head of mere frolic! Yet would it? Was not this curious,
outspoken man--this gigantic, good-hearted, absurd boy--giving her
notice that he was ready to turn into her lover at the slightest gesture
of acquiescence on her part? No, the frolic would soon end. It would be
another of those appalling games-for-life, those woman-trap affairs.
And she liked freedom better than anything.
She went off to her work in a defiant frame of mind, carrying, however,
the letter with her in her handbag.
What she did write--after several days' delay--was this:--
"MY DEAR MR. WANDER:--
"I can see that Honora is in the best place in the world for
her. You must let me know when she has checkmated you. I
quite agree that that will show the beginning of her
recovery. She has had a terrible misfortune, and it was the
outcome of a disease from which all of us 'advanced' women
are suffering. Her convictions and her instincts were at war.
I can't imagine what is going to happen to us. We all feel
very unsettled, and Honora's tragedy is only one of several
sorts which may come to any of us. But an instinct deeper
than instinct, a conviction beyond conviction, tells me that
we are right--that we must go on, studying, working,
developing. We may have to pay a fearful price for our
advancement, but I do not suppose we could turn back now
if we would.
"You ask if I will correspond with you. Well, do you suppose
we really have anything to say? What, for example, have you
to tell me about? Honora says you own a mine, or two or
three; that you have a city of workmen; that you are a
father to them. Are they Italians? I think she said so.
They're grateful folk, the Italians. I hope they like you.
They are so sweet when they do, and so--sudden--when
they don't.
"I have had something to do with them, and they are very dear
to me. They ask me to their christenings and to other
festivals. I like their gayety because it contrasts with my
own disposition, which is gloomy.
Public-domain text, read in full here on John Shaqi.
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